Table of Contents

Fahimtar Matsayin Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙarƙamar Ƙaramar Ƙaramar Ƙaramar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙar Ƙarƙamar Ƙarƙamar Ƙarƙar Ƙarƙamar Ƙar Ƙarƙarƙar

A cikin kayan kida na ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin ƙaramin

Don yin waƙa da kyau don ƙananan ƙarfe, dole ne ku rungumi halayen sauti: sauti mai wadata, babban ƙarfin motsi (daga murmushi zuwa ruri), da kuma ikon riƙe dogon jimloli tare da cikakken sautin. Ba kamar ƙaho ko saxophones waɗanda galibi suna yanke ta hanyar haɗuwa ba, ƙananan kayan aikin ƙarfe suna haifar da ma'ana da zurfin. Ya kamata waƙoƙin ku suyi amfani da waɗannan ƙarfin yi tunanin dogon layi na waƙa waɗanda ke bincika kayan aikin s mai sautin ƙananan rajista, wanda aka ƙayyade ta hanyar fashewar rhythmic a cikin ƙasan tessperitura.

Labari na Tarihi: Majagaba na Ƙaramin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin

Al'adar ƙananan ƙarfe a cikin jazz ta fara ne daga farkon karni na 20. Trombonists kamar Jack Teagarden da Kid Ory sun kirkiro ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun ƙwararrun

Abubuwan Mahimmanci na Jazz Melody Composition don Low Brass

Rubuta wani waƙa mai ban sha'awa don ƙananan ƙarfe yana buƙatar haɗuwa da ilimin ka'idar da sanin aiki.

Ƙarfafawa da Ƙarfafawa

Jazz yana rayuwa a cikin aljihunsa mai saurin saurin saurin sa. Ga ƙananan ƙarfe, swing ba kawai wani ɓangaren triple ba ne yana da nutsuwa mai nutsuwa, mai nutsuwa wanda za'a iya nuna shi azaman madaidaiciyar takwas tare da ɗan ɗagawa. Gwada tare da maganganu masu daidaitawa akan bugun 2 da 4, kuma yi amfani da sautin saƙa don ƙirƙirar motsi na gaba. Maɓallin shine don kauce wa tsarin kwata-kwata na kwata-kwata; maimakon haka, kuyi tunani game da shigarwar waje, jinkirin ƙuduri, da shiru mara tsammani. Wata fasaha mai tasiri ita ce ta rubuta waƙa wanda ke nuna tsarin clave (misali, 3-2 son clave), wanda ke ba layin wani sautin da aka gina.

Mataki na asali: rubuta gajeren motsi na sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin

Harmonic Foundation: Blues Scales, Modes, da kuma Ƙarfafawa

Sautin jazz na gargajiya an gina shi ne a kan sikelin blues (tushen, b3, 4, b5, 5, b7) da dangi na modal. Don ƙananan ƙarfe, yanayin Dorian (wanda ake amfani da shi a kan ƙananan ii chords) da yanayin Mixolydian (a kan madaidaicin V chords) suna da mahimmanci. Ƙara sautunan wucewa na chromatic tsakanin waɗannan digiri na sikelin yana haifar da tashin hankali da sakin alama ta bebop da bayan-bop phrasing. Alal misali, tafiya daga tushen zuwa b3 ta hanyar 2 na halitta da kuma tsarin chromatic (tushen-#2-b3, ta amfani da "kayan chromatic") yana ba layin wani gefen da ya dace.

Yi la'akari da tsawo harmonies: Lokacin da wani chord chart kira ga wani Cmaj7#11, da waƙa iya sauka a kan #11 (F#) ga wani haske, zamani launi. Ga low lasifika, irin wannan intervals ne mafi kyau sanya a cikin sama rajista inda suka yi sauti a fili. Guji parking a kan tushen ko biyar ga dogon; jazz melodies ci gaba a kan ba-chord sautunan da suka warware da ladabi.

Maganganun Melodic: Kira da Amsa, Wuri, da Labari

Wani babban waƙa na jazz ya ba da labari. Ka yi tunanin shi a matsayin tattaunawa: gajeren "kira" magana (sau da yawa tashi da kuma rhythmic), sannan "amsa" (saukewa ko ƙayyadewa). sararin samaniya tsakanin waɗannan maganganun yana da mahimmanci kamar yadda bayanan kansu. Rashin jin zai ba mai sauraro damar shawo abin da aka buga kuma ya yi tsammanin abin da zai zo gaba. A kan ƙananan ƙarfe, shiru yana da tasiri musamman saboda sautin kayan aiki mai cike da jiki yana buƙatar lokutan bambanci.

Wani kayan aiki mai ƙarfi shine jerin maimaita wani tsarin waƙa mataki mafi girma ko ƙasa. Wannan yana gina ƙarfi kuma galibi yana nuna yanayin daidaitaccen jazz solo. Misali, farawa a kan na 3 na wani kirtani, sannan motsawa zuwa na 5, sannan na 7, kowannensu tare da sautin da aka daidaita, na iya haifar da layin tashi wanda ke jin ba makawa.

Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa

Sautin wucewa na chromatic, sautin kusanci, da kayan ado kamar sautin alheri, juyawa, da mordents sune kayan yaji waɗanda ke sa sa sautin waƙa ya zama jazz. Don trombone, slide tsakanin sautin biyu (a portamento ko glissando) kayan ado ne da aka gina wanda tuba da euphonium zasu iya kusanci da rabin matakan bawul. Ko da mai sauƙi mai kyau mai kyau mai kyau mai kyau misali, wasa C-B-C a kan babban C yana ƙara juyawa mai launin shuɗi.

"Fall" (sliding down from a note to nothing) wani nau'i ne na jazz wanda ya ƙare a kan trombone. A kan euphonium, ɗan ƙaramin vibrato na iya kwaikwayon salon muryar mawaƙin jazz. Yi amfani da waɗannan da ƙarancin hankali; ya kamata su ji kamar numfashi na halitta, ba tasirin tilasta ba.

Yin Amfani da Ƙananan Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin

Kowane kayan aiki mai ƙarancin ƙarfe yana da ƙwarewa da kuma iyaka na musamman da za su sa ka zaɓi yadda za ka yi waƙa.

Trombone: Slide da kuma Matsayi da za a iya yi

Slide na trombones ci gaba ne na sautin, yana ba da damar gaskiya gissandos, microtonal bends, da smears. Matsakaicin iyaka ga yawancin trombonists shine daga E2 (pedal E) zuwa Bb4, tare da babban rajista (a saman F4) yana buƙatar ƙarin iko. Saurin wucewa yana yiwuwa amma yana buƙatar kula da tsara matsayin slide guje wa manyan tsalle waɗanda ke buƙatar saurin motsawa idan saurin yana da girma. Don waƙa, ta amfani da ƙarancin yanayin slide (yana motsawa a cikin shugabanci ɗaya) na iya ƙirƙirar layin legato. Satsar Staccato suna aiki mafi kyau a tsakiyar rajista, inda amsa trombone ta kasance mai haske.

Euphonium: Mai Saurara da Mai Sauƙin Yi

Euphonium, wanda ake kira "tenor tuba" ko "baritone", yana da rami mai launin fata wanda ke ba shi duhu, mai launin toka tare da kyakkyawan haskakawa. Yanayinsa daga Bb0 (pedal) zuwa Bb4 yana da yawa, kuma yana da matukar hanzari a cikin matsakaiciyar zuwa sama (E2 zuwa A4). Valves suna ba da damar saurin fasahar fasaha yi tunanin euphonium a matsayin cello na tagulla. Kayan aiki yana da kyau a cikin layi, raira waƙa wanda ke buƙatar vibrato mai dumi. Lokacin da ke tsarawa, yi amfani da ikon sa na tsalle tsakanin lokaci mai sauƙi (misali, tsalle daga Ab2 zuwa Ab3) da kuma riƙe da sautin sauti mai sauri tare da saurin tashin hankali. Guji rubuta sautin ƙarancin sautin ƙasa da yawa a jere, saboda suna iya zama ba su da sauti mai laushi da kuma ƙarancin sautin laka.

Tuba: Tushen da ke da Yanayin da Ya Sa Mu Mamaki

Tuba kewayon ya fara daga Bb0 (contrabass tuba) har zuwa F4 ko sama, amma wuri mai dadi don waƙa shine daga Eb1 zuwa Eb3. Ƙananan sautunan tuba suna da ƙarfi amma suna jinkirin magana. Yi amfani da su don sautunan dogon lokaci ko bugun jini maimakon saurin saurin saurin saurin. Babban rajista (a saman Eb3) ya fi haske da agile, cikakke ga layin waƙa wanda zai iya yanke ta hanyar sashin sautin. Kula da numfashi yana da mahimmanci; tuba yana buƙatar babban goyon bayan iska, don haka tsawon jimlar ya kamata ya kasance mai matsakaici, tare da maki na numfashi kowane hudu zuwa shida.

Jagora Ta Hanyar Mataki Don Rubuta Sautin Jazz

Yanzu da ka fahimci yanayin da ake amfani da shi a cikin ka'idar da kuma kayan aiki, ka bi wannan tsarin don ka ƙirƙiri wata waƙa da ke da ma'ana da kuma nunawa.

  1. Zaɓi Maɓalli da Yanayi. [ Fara da maɓalli wanda ya dace da rijistar sauti na kayan aiki. Don trombone da euphonium, Bb mai girma, Eb mai girma, da F mai girma na halitta ne saboda jerin sautin. Don tuba, maɓallan kamar Bb, Eb, da Ab suna ba da damar ƙaramin zangon. Zaɓi yanayin Dorian don ƙaramin ji, Mixolydian don shuɗi mai rinjaye, ko haɗuwa ta hanyar kama da pentatonic + shuɗi mai haɗari.
  2. ] Kafa Ci gaban Kayan aiki. ] A mai sauki ii-V-I a cikin Bb (Cm7-F7-Bbma7) yana ba da tsari mai kyau. Don ƙarin launi, maye gurbin V tare da maye gurbin tritone (B7 maimakon F7) ko amfani da vamp na modal (misali, Dm7 don sanduna takwas). Rubuta canje-canjen kayan aiki a cikin alamar rubutu ko alamun kayan aiki.
  3. ]Create a Motif. A motif ne gajeren, halayyar rhythmic da kuma melodic cell. Alal misali: a dotted takwas-shekara rhythm a kan bayanin kula F, bi da wani kwata-kwata Eb (da b7 na F). Wannan motif iya zama tushen ga dukan melody. rubuta shi a cikin kayan aiki mafi dadi zangon (misali, tsakiyar rajista ga trombone: Eb3 zuwa F4).
  4. Ci gaba da Motif a cikin Ci gaba. Maimaita motsi a matakan sautin daban-daban da suka dace da kirtani. A kan Cm7, motsi na iya farawa a kan G (na 5), sannan ya matsa zuwa Bb (na b7) a kan F7, kuma a ƙarshe ya ƙare zuwa F (na 3 na Bbma7).
  5. ]Haɗa Chromaticism da Blue Notes. Ƙara sautunan wucewa tsakanin sautunan kirtani. Misali, tsakanin tushen da b3 na Cm7, saka 2 (D) na halitta sannan kuma Db mai launi don kusanci Eb. Yi amfani da 5 (Gb) a matsayin sautunan wucewa tsakanin 4 da 5 na kowane kirtani wannan shine sautunan blue na gargajiya.
  6. Yi amfani da fasaha na musamman na kayan aiki. [ Don trombone, alama alama a cikin farkon bayanin kula na jimla ko faduwa a ƙarshen. Don euphonium, ƙara alamar tenuto tare da ɗan alamar vibrato. Don tuba, yi amfani da karin magana akan downbeat na ma'auni don jaddada sahun.
  7. ]Refine Phrasing and Dynamics. Yi wasa da wakar da kanka (ko tare da abokin aiki) kuma saurari tsalle-tsalle masu ban tsoro, sautin da ba na halitta ba, ko wuraren da numfashi ya ƙare. Saita tsawon rubutu kuma ƙara kwanciyar hankali don tsara jumlar.

Nasihu don Rubuta Waƙoƙi da Suka Rubuta a Ƙaramin Ƙasa

  • ]Keep It Vocal and Breathable. ] Ya kamata muryar ɗan adam ta iya raira waƙa da kyau, koda kuwa tana da ƙaranci da ban mamaki. Guji saurin wuta na goma sha shida a cikin babban rijistar; maimakon haka, sanya layin sauri a cikin rabin zangon inda kayan aikin ke amsawa da sauri. Rubuta jimloli waɗanda ke girmama yanayin numfashi na halitta: sanduna biyu zuwa huɗu kafin numfashi, tare da alamun numfashi.
  • Yi amfani da sarari a matsayin kayan aiki. [ Rests suna haifar da tashin hankali kuma suna ba da damar jituwa don numfashi. Bayan dogon madauki mai sauti, saka hutawa ta kwata kafin jimlar gaba wannan yana sa dawowar wakar ta zama mai gamsarwa. A tuba, hutawa bayan buga ƙananan Bb na iya zama mai ƙarfi kamar bayanin kula kanta.
  • ]Maimaitawa tare da Bambanci. ] Masu sauraro suna buƙatar ganewa don bin waƙa, amma maimaitawa da yawa ya zama mai ban sha'awa. Bambanta sautin (misali, canza murya ta huɗu zuwa biyu na takwas), canza wani motsi zuwa mataki, ko juyawa hanyar tazara. Wannan yana sa waƙa ta kasance sabo yayin da yake kula da haɗin kai.
  • Transcribe and Analyze Masters. Study solos by J.J. Johnson ("Lament"), Bob Stewart ("Tubby’s Theme"), and Howard Johnson (grappling with tuba in a jazz context). Notice how they usespace, blue notes, and dynamic swells. Also listen to non-brass players like Miles Davis for phrasing inspiration — his use of silence is legendary.

Matsaloli da Za a Iya Bi da Su

  • Kalubale: Waƙar tana jin "blocky" kuma ba ta da swing. ]
    [[Solution: Tsabtace bayanin rhythmic. Cire duk wani sautin na takwas na madaidaiciya kuma maye gurbin su da sautin takwas (mara daidaituwa, tare da sautin farko ya fi tsayi). Ƙara syncopation ta hanyar motsa sautin misali, fara magana akan "da" na bugun 2 maimakon a bugun 1. Yi amfani da sautin dotted da triplets don karya ƙimar sautin iri ɗaya.
  • Kalubale: Layin yana zaune a ƙasa kuma yana da laka. Magani: A cikin tuba, guji rubuta waƙoƙi waɗanda koyaushe suke ƙasa da C2; matsawa zuwa matsakaiciyar rijista (E2 zuwa A3) don tsabta. Don trombone, ya kamata a yi amfani da rijistar pedal a hankali, don tasirin wasan kwaikwayo kawai.
  • Kalubale: Waƙar ba ta haɗu da haɗin da ke ƙarƙashin sa ba. ]
    [[Solution: Jaddada sautin sautin sautin (3ths da 7ths) akan bugun jini mai ƙarfi, kuma yi amfani da sautin sautin daga rabin mataki a ƙasa ko sama. Misali, a kan sautin G7, sauka akan B (na 3rd) akan bugun 1, wanda Bb (b7 na Cm7 na baya) ya riga ya kasance a matsayin tsarin chromatic. Wannan yana haifar da jagoran murya wanda ke nuna daidaitaccen tafiya na jazz.
  • Kalubale: Wasan ya rasa makamashi bayan 'yan sanduna na farko. ]
    ]] [[Solution: Build dynamic and rhythmic intensity over time. Fara da mai sauki, m motif a cikin wani ƙananan dynamic, sa'an nan kuma a hankali ƙara rubutu yawa, zangon, da kuma girma.

Ka Ƙara Ƙarin Kayan Aikin Ka

Beyond the basics, explore these advanced techniques to add depth to your low brass melody writing.

Polyrhythms da kuma Modulation na Metric

Jazz sau da yawa yana amfani da polyrhythms wanda aka samo daga Afirka da Latin kiɗa. Gwada rubuta waƙa da ke nuna ji na 3: 2 (ƙididdiga uku a kan bugun biyu) ko amfani da sautin habanera (ƙididdigar takwas, goma sha shida, biyu na takwas).

Ƙarfafawa da Ƙarfafawa

Yawancin waƙoƙin jazz suna bin nau'in blues na 12-bar ko nau'in AABA na 32-bar. Don ƙananan ƙarfe, zaku iya rubuta abubuwan da aka tsara waɗanda ke ba da labari ba tare da maimaita sassan ba. Fara da gabatarwar da ke kafa yanayi (misali, rubato cadenza tare da sautin ƙwanƙolin tuba), sannan ku matsa zuwa ɓangaren swing na matsakaici (A), gada mai banbanci (B) a maɓalli daban-daban ko yanayin, kuma ku dawo A tare da bambance-bambance.

Yin Amfani da Shiru a matsayin Waƙar

A hannun almara kamar Miles Davis (FLT: 1) ko (FLT: 2) Chet Baker (FLT: 3) sararin samaniya wani abu ne mai sautin sauti. Aiwatar da wannan ga ƙananan ƙarfe: rubuta waƙa wanda ya ƙunshi sanduna biyu na aiki sannan sandunan hutawa biyu, tare da rubutu guda ɗaya, mai tsawo a cikin sandar hutawa. Bambanci tsakanin motsi da kwanciyar hankali na iya zama mai ban sha'awa, musamman idan ɓangaren ƙarfe a bayanku ya faɗi.

Ayyuka Masu Kyau don Masu Sarrafawa

Don ka fahimci waɗannan darussan, ka yi waɗannan darussan kowane mako:

  • Aikin 1: Rubuta sanduna huɗu na J.J. Johnson solo a kan takarda mai rubutun hannu. Nazarin jinkiri da sautin da aka yi amfani da su. Sa'an nan kuma sake rubuta kalmar a cikin maɓalli daban-daban da kuma don kayan aiki mai ƙananan ƙarfe (misali, canza trombone zuwa tuba).
  • Aikin 2: Rubuta waƙa ta 12 na blues wanda ke amfani da sautin biyu kawai (misali, tushen da b7) amma yana canza sautin a cikin sanduna huɗu.
  • FLT:0]]Wani motsa jiki na 3: Rubuta waƙa wanda ke farawa da glissando (ko zamewar bawul) kuma ya ƙare da faɗuwa. Yi amfani da dukkanin ƙarfin motsi daga FLT:2pp zuwa FLT:4ff a cikin sanduna 16. Rubuta kanka wasa ko raira shi, kuma ka inganta bisa ga abin da ke jin na halitta.

Tunani na Ƙarshe

Rubuta waƙoƙin jazz don ƙananan ƙarfe fasaha ce da ke haɗuwa da ilimin fasaha tare da masu sauraro mai zurfi. Mafi kyawun waƙoƙin suna jin makawa suna tashi da faduwa tare da numfashin mai kunnawa da bugun bugun bugun sashin rhythm. Yi imani da muryar kayan aikin muryar halitta: dumi, ƙasa, kuma mai iya bayyanawa. Yayin da kake rubutu, yi tunanin sautin babban mawaƙin jazz ko mai buga tubist yana wasa da layinka a cikin ƙungiyar hayaki wannan hoton zai jagorantar zaɓin ku.

Ka riƙe littafin rubutu na jigogi, ci gaban sauti, da kuma tsarin rhythmic. Saurari komai daga ƙungiyoyin mawaƙa na New Orleans zuwa rikodin ECM na zamani tare da ƙananan mawaƙa. Yin aiki tare da sauran mawaƙa zai kuma ƙware sana'arka samun hangen nesa na tubist - karanta waƙar ku kuma nemi ra'ayoyi game da kunnawa. Sannu a hankali, zaku haɓaka salon da ke girmama al'ada yayin da kuke tura iyakokin abin da ƙananan mawaƙa zasu iya yi a jazz.

Tasharorin waje

  • Tarihin Jazz Trombone da Fasaha
  • Shawarar Jazz Sikeli na Blues An Yi amfani da shi
  • An bayyana jin daɗin motsawa