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Jazz da blues suna da tarihi mai zurfi, tare da blues yana zama ɗayan ginshiƙan tushen kiɗa na jazz. Haɗa abubuwan blues a cikin haɓaka jazz ba kawai yana wadatar da kunnawa ba har ma yana haɗa ku da zurfin motsin rai da al'adun bayar da labari waɗanda nau'ikan biyu suka ƙunshi. Ko kuna farawa ko mai haɓaka haɓaka, fahimtar yadda ake haɗuwa da waɗannan salon na iya kawo sabon girma ga solo da kuma bayyanar kiɗa gaba ɗaya. Wannan jagorar da aka faɗaɗa zai kai ku daga tushen tarihi zuwa aikace-aikace na gaba, tare da motsa jiki na aiki da misalai na ainihi.

Fahimtar Dangantakar Jazz da Blues

Kafin nutsewa cikin fasaha, yana da mahimmanci a gane zurfin tarihin tarihi da dangantakar kiɗa tsakanin jazz da blues. Kiɗa na blues, wanda aka nuna ta ta hanyar ci gaban sautin sautin sa, sautin blue, da salon murya mai bayyanawa, ya yi tasiri sosai ga jituwa na jazz, sautin, da magana.

A cikin shekarun 1920, masu fasaha na jazz kamar Louis Armstrong da Jelly Roll Morton sun haɗu da kalmomin blues a cikin abubuwan da suka yi. Tsarin kira da amsawa, wanda ya samo asali daga al'adun kiɗa na Afirka, ya zama tushen nau'ikan biyu. A yau, blues ya kasance mahimmin ƙamus ga kowane mai haɓaka jazz, daga ƙarancin ƙirar Art Blakey zuwa binciken modal na Herbie Hancock.

Abubuwan da Za a Yi Amfani da Su a Cikin Jazz Improvisation

Ga ainihin abubuwan da za ka yi amfani da su:

Sikeli na Blues: [1] Flatstone na sauti na blues, yawanci sikeli mai sautin sautin guda shida wanda ya haɗa da ƙananan pentatonic da ƙaramin 5th (da blue note). Yana aiki akan manyan, ƙananan, da madaidaitan sautin tare da sassauƙa mai ban mamaki.
Bayanan Blue: Bayanan na uku, na biyar, da na bakwai na kwance wanda ke ƙara tashin hankali da ruhu. Wadannan sautunan galibi ana lankwasawa ko kuma a karkata su don ƙirƙirar karkatar da microtonal wanda ke kwaikwayon muryar mutum.
Call-and-Response: Tsarin magana inda aka amsa waƙar call ta hanyar response. Wannan na iya kasancewa tsakanin kayan aiki biyu, tsakanin hannun hagu da hannun dama (a kan piano), ko tsakanin ra'ayin waƙa da kuma rubutun chordal.
Fasaha mai bayyanawa: Flutes, slides, vibrato, fatalwowi, da kuma ƙananan bambance-bambance masu saurin ƙara zurfin motsin rai. A kan saxophone, an sarrafa karkatar da sauti; a guitar, karkatar da madauri da kuma bayan bayanan.
A cikin jazz, wannan galibi ana faɗaɗa shi tare da juyawa da maye gurbin sauti (misali, ii-V-I cadences) yayin da yake riƙe da ƙarancin ɗanɗano na melodic.
A cikin wasan kwaikwayo na blues, ana yin amfani da sautin rhythmic: [FLT: 0], sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sa

Tarihi na Tarihi: Blues a Juyin Halitta na Jazz Styles

Blues ya kasance mai daidaituwa a duk manyan lokutan jazz. A cikin jazz na New Orleans, masu haɓaka da farko kamar Buddy Bolden da Sidney Bechet sun yi amfani da riffs na blues da sautin da aka lankwasa akan jituwa. Zamanin swing na Count Basie da Duke Ellington ya ƙunshi blues screams da boogie-woogie bass lines. Masu kida na bebop kamar Charlie Parker da Dizzy Gillespie sun haɗa da layin blues a saurin saurin wuyan hannu, suna ƙirƙirar kawunan blues na bebop kamar Nows the Time da Blues for Alice.

Daga baya, motsi na hard bop na shekarun 1950 da 60 ya dawo da blues zuwa gaba tare da masu fasaha kamar Horace Silver, Cannonball Adderley, da Lee Morgan. Solos ɗin su galibi suna amfani da kalmomi masu ban dariya, masu launin bluesy a kan kirtani mai launin bishara. Modal jazz, wanda Miles Davis da John Coltrane suka fara, ya dogara da ma'aunin blues don tallafawa dogon haɓaka. Fahimtar wannan juyin halitta yana taimaka muku sanya layinku na blues a cikin al'adun jazz masu girma.

Yadda Za Ka Ƙara Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙar

Ga wasu hanyoyi masu amfani, mataki-mataki don haɗa tasirin blues cikin solo na jazz yadda ya kamata:

1. Ka Koyi Kuma Ka Koyi Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'

Fara ta hanyar yin amfani da sikelin blues a cikin dukkan maɓallan. Mafi yawan nau'ikan su sune: tushen, 3, 4, 5, 5, 7, tushen. Misali, C blues: C, E, F, G, G, B, C. Yi amfani da wannan sikelin sama da ƙasa, da kuma a cikin uku. Sa'an nan kuma yi amfani da shi a kan sauƙi na blues. A kan C7 chord, C blues sikelin yana haifar da mai tsananin, mai rai. Amma kada ka iyakance kanka ga tonic bincika sikelin blues farawa daga na huɗu (F blues a kan C7) ko na biyar (G blues a kan C7) don launuka daban-daban.

2. Ka Yi Amfani da Bayanan Ƙarshe na Ƙasa

Yi gwaji tare da digiri na uku, na biyar, da na bakwai na sikelin. A cikin yanayin Jazz, zaku iya kusanci waɗannan sautunan chromatically daga rabin mataki sama ko ƙasa. Misali, kusanci da 3 (E) daga E na halitta ko D, yana jaddada tashin hankali. A kan kayan aikin iska, karkata sautin dan kadan don kwaikwayon ingancin muryar mawaƙa na blues kamar B.B. King ko Bessie Smith. A piano, zaku iya murkushe sautunan biyu tare da sautunan alheri. A guitar, zamewa zuwa 5 daga 5 shine tsohuwar sautin blues wanda har yanzu yana aiki a cikin jazz na zamani.

3. Ka haɗa da tsarin kira da amsa

A cikin jazz combo, zaku iya musayar huɗu tare da drummer, ko amsa ra'ayinku na waƙa tare da bugun bugun chordal mai saurin saurin saurin saurin sa. Saurari solos na Wes Montgomeryya sau da yawa yana wasa da layin guda ɗaya mai sauƙi (kira) sannan ya amsa da wani mai laushi octave ko chordal magana (amsa).

4. Ka haɗa da fasahar bayyanawa

Yi amfani da vibrato, slides, da kuma bends don ƙara motsin rai. Ga masu kunna ƙaho, ƙarancin ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙarar ƙ

5. Ka Yi Amfani da Sauraron Ƙararrawa da Sauraron Ƙararrawa

Gwada yin wasa a kan tsarin blues na gargajiya na 12-bar don haɓaka motsi na jituwa. Fara da I-IV-V na asali sannan ƙara sauye-sauye na jazz na yau da kullun: a ii-V-I a cikin juyawa (Dm7-G7-C7), sauye-sauye na tritone (Db7 a kan G7), da ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙ

6. Ka Saurari Kuma Ka Rubuta

Yi nazarin solo na manyan jazz waɗanda ke haɗuwa da blues yadda yakamata. Fara da Miles Davis a kan Bags Groove ko Walkinamfani da sarari da sautin blue yana da kyau. John Coltrane Blues to Elvin ne asibiti akan sikelin blues da aikace-aikacen pentatonic. FLT:4B.B. King FLT:5 bazai zama mai fasaha ba, amma magana, vibrato, da kuma kai tsaye na motsin rai yana da mahimmanci ga kowane mai haɓaka. Hakanan bincika FLT:6Grant Green FLT:7 a kan guitar, FLT:8Oscar Peterson on piano, da FLT:10J Henderson on tenor. JJJJJ:11 a kan fassarar sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sa

Ƙwarewa: Yin amfani da wasu kayan da aka yi amfani da su wajen haɗa ruwan 'ya'yan itace da wasu

Bayan kun sami abubuwan da suka dace, zaku iya faɗaɗa palette ta hanyar haɗuwa da abubuwan blues tare da sauran sikelin jazz. Misali, a kan madaidaicin kirtani zaku iya haɗuwa da sikelin blues, yanayin Mixolydian, da sikelin da aka canza. A kan kirtani na G7, gwada haɗuwa da G blues (G, B, C, D, D, F), G Mixolydian (G, A, B, C, D, E, F), da G canzawa (G, A, B, C, D, E, F).

Wani hanya ita ce yin tunanin pentatonic superimposition. A kan ii-V-I a cikin babban C (Dm7-G7-Cmaj7), gwada wasa D ƙananan pentatonic (D, F, G, A, C) ko G ƙananan pentatonic (G, B, C, D, F). 3 a cikin ƙananan pentatonic (B) yana ƙara launi mai launin shuɗi a kan kirtani na G7. A kan ƙudurin Cmaj7, zaka iya canzawa zuwa babban C ƙananan pentatonic (C, D, E, G, A) don sakin tashin hankali.

Misali: Yin amfani da Blues Scale Over Jazz Canje-canje

Wani fasaha na yau da kullum shine amfani da sikelin blues daga maɓallin kewayawa lokacin da ake yin wasa akan canje-canje masu rikitarwa na jazz. Misali, a cikin maɓallin C, za a iya buga sikelin C (C, E, F, G, G, B) a kan ci gaba na ii-V-I (Dm7 - G7 - Cmaj7) don ƙara gefen bluesy. Tensiyon da aka haifar da blue notes (musamman E a kan Cmaj7 da G a kan G7) a kan jazz chords yana ƙara launi da zurfin zuwa layinku. Duk da haka, ku sani cewa E (3 na C) zai yi karo da babban 3rd (E) a cikin Cmaj7 chord. Yi amfani da shi azaman sautin wucewa ko kusanci, ba dogon riƙe ba, don kauce wa sautin sauti mai laushi.

Gwada wannan aikin: Yi wasa da wata hanya mai sauƙi mai mahimmanci daga ma'aunin C a kan kowane canji. Alal misali, a kan Dm7: D, C, B, G. A kan G7: G, F, E, D. A kan Cmaj7: C, B, G, E. Ya kamata a yi amfani da E a kan Cmaj7 a matsayin sautin canza launin fata zuwa E na halitta. Wannan haɗin tsakanin blues da chromatism shine abin da ya ba jazz ta ƙwarewar ta.

Nasihu don Yin Yin Blues a Cikin Jazz Improvisation

Fara Slow: FLT:1 Fara ta hanyar yin wasa da abubuwa na blues a cikin jinkirin saurin (60-80 bpm) don jin da jin nuances. Yi amfani da metronome a kan beats 2 da 4 don ciki da jin swing.
Rikodi kanka: Jin baya yana taimaka wa gane yadda kake haɗa kalmomin blues da motsin rai. Kwatanta rikodin ka da wani masanin jazz mai kama da Wynton Kelly kuma ka lura da bambance-bambance.
FLT:0]]Jam tare da Wasu: Yin wasa tare da sauran mawaƙa yana ba ku damar yin kira da amsawa da haɓaka ƙamus ɗin blues ɗinku a cikin ainihin lokacin. Gwada zaman jam na blues inda zaku mai da hankali kan cinikin huɗu tare da drummer.
Mix da Match: FLT:1 Ƙara matakan blues tare da sauran matakan jazz (kamar Mixolydian ko Dorian yanayin) don ƙirƙirar ƙarin rikitarwa, layi masu ban sha'awa.
FLT:0 Stay Emotionally Connected: [1] Blues yana da mahimmanci game da ji kamar yadda yake game da fasaha. Bari motsin zuciyarka ya jagoranci aikinka. Faɗa labarifara da magana mai sauƙi, gina tashin hankali, ƙaruwa, da ƙuduri. Yi tunanin blues a matsayin labari tare da ci gaba da ƙananan.
Yi amfani da Backing Tracks: Yi aiki a kan saurin blues jazz tracks (misali, Blue Monk ko C-Jam Blues). Mai da hankali kan kunna ƙananan sautunan amma tare da ƙarin rai. Bari kowane sautunan numfashi.

Tsananin Tsananin da Za Mu Guji

Yawancin 'yan wasa suna amfani da sikelin blues da yawa, yana sa solos suyi sauti mai maimaitawa ko cliché. Don kauce wa wannan, ka iyakance kanka ga sikelin blues don kawai wani ɓangare na solo ɗinka, sannan ka canza zuwa wasu sikelin. Wani tarko shine kunna sikelin blues ba tare da bambancin rhythmic ba.

Nazarin Jazz na Bluesy Solo: Miles Davis a kan Ƙungiyar Bags Groove

A cikin wannan wasan kwaikwayon na gargajiya na 1954, Miles Davis ya nuna kyakkyawan haɗuwa da blues da jazz a kan ci gaba mai sauƙi na blues (B blues). Waƙar buɗewa tana amfani da ma'aunin blues na B (B, D, E, E, F, A) kusan kawai, amma tare da kyakkyawan shimfiɗa da daidaitawa. Ka lura da yadda yake lankwasa D (3) da kyau, ba tare da riƙe shi da dogon lokaci ba. A cikin waƙar ta biyu, ya ƙara ƙididdigar ƙira mai launi da aka karɓa daga bebop, kamar D na halitta a kan kirtani na B7. Wannan haɗuwa da blues da bebopulate yana haifar da sauti mara lokaci. Kwafa na farko 8 kuma ka kwaikwayi shi a cikin aikinka.

Tattalin Arziki da Ƙarin Nazarin

Don ka ƙara fahimtar abin da kake karantawa, ka bincika waɗannan albarkatun:

Nasihun Jazz: Yadda ake amfani da sikelin Blues a Jazz
]Wikipedia: Blues Scale Bayanan ilimin tauhidi.
FLT:0]]Koyi Ka'idodin Jazz: Hanyoyi 10 don Wasa da Blues Kayan aiki don guitarists amma yawancin ra'ayoyi suna amfani da duniya.
Classical Guitar Corner: Blues Jazz Improvisation Jagora tare da motsa jiki.
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Ta hanyar haɗa abubuwa na blues cikin haɓaka jazz ɗinka, ba za ka ƙara zurfafa ƙamus ba kawai amma har ma ka kawo ƙarin maganganun motsin zuciyar ka ga wasan kwaikwayonka. Ci gaba da bincika, sauraro, da gwaji don nemo muryarka ta musamman inda jazz da blues suka haɗu. Blues ba ƙuntatawa bane amma tushen kerawa ne.