Fahimtar Ƙarfafa Jazz

Improvisation shine ƙirƙirar kiɗa a cikin lokaci, kuma a cikin jazz yana da ƙwarewa mai mahimmanci da kuma tushen zurfin maganganun fasaha. Ba kamar kiɗa na gargajiya inda mai yin waƙar ya fassara ƙimar ƙira ba, mawaƙa na jazz suna amfani da tsarin ƙira, sikelin, da kuma sautin don gina waƙoƙi na asali a kan tashi. Wannan aikin yana buƙatar haɗuwa da ƙwarewar fasaha, ilimin ka'ida, da sauraro mai kyau musamman ga sauran 'yan wasan a cikin ƙungiyar. Mai haɓaka dole ne ya yi aiki a cikin lokaci na ainihi, yana sakawa cikin ƙirar ƙira mai jituwa wanda ke girmama ƙa'idodin salon yayin da yake saka murya ta sirri. A cikin shekarun da suka gabata, jazz ya rabu zuwa ƙananan nau'ikan, kowannensu tare da ƙa'idodi da' yanci. Waɗannan nau'ikan ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙira, magana, jituwa, da sautin motsin rai na ƙungiyar. Don fahimtar yadda waɗannan ƙirar ƙirar ƙirar ƙirar ƙira ta ainihi ke tasiri, dole ne mutum ya fahimci yadda ƙirƙirar ƙirar ƙirar ƙirar

Juyin Halitta na Jazz Subgenres da Tasirin Su a kan Ingantawa

Daga ƙungiyoyin tafiye-tafiye na New Orleans zuwa ga ɗakunan da ke da kyau na New York, jazz ya ci gaba da sake kirkirar kansa. Kowane nau'in jazz ya fito ne a matsayin martani ga abin da ya faru a baya, sau da yawa yana motsawa ta hanyar sha'awar ƙarin rikitarwa, zurfin motsin rai, ko makamashi mai saurin saurin sa. Yayin da yaren jituwa ya zama mafi ƙwarewa, haka ma kayan aikin mai haɓaka.

1. Dixieland (Jaz na gargajiya na New Orleans)

Dixieland, wanda aka haifa a farkon 1900s, shine tushen jazz improvisation. Yana da kayan aiki da yawa (trumpet, clarinet, trombone) da ke yin wasa a lokaci guda a kusa da wani waƙa. Harmony yana da sauƙi, sau da yawa an gina shi akan ci gaban jigo na IIVV tare da tasirin blues mai ƙarfi.

Ingantawa a Dixieland yana da halaye kamar haka:

  • Hadin gwiwar rukuni: [1] Solos suna gajere kuma an saka su cikin kayan haɗin gwiwa; kowane ɗan wasa yana ba da gudummawa ga sauti mai rai, numfashi.
  • ] Penatonic da blues scales: ] Melodies ne mai sauki, mai kamawa, da kuma rhythmically kai tsaye, sau da yawa ta yin amfani da lankwasawa da slurs.
  • Kiran da amsa: Kayan aiki suna kasuwanci da jimloli, suna haifar da jin daɗin tattaunawa.

Majagaba kamar Louis Armstrong da Jelly Roll Morton sun canza waɗannan abubuwan da suka faru na farko ta hanyar gabatar da ƙarin motsawa da aiki tare, yana ba da hanya ga salon da suka gabata.

2. Swing

A cikin shekarun 1930, manyan ƙungiyoyi da Duke Ellington, Count Basie, da Benny Goodman suka jagoranci sun shahara swing. Tare da sautin rawa da sassan da aka shirya, swing ya ba da damar tsawan hutu na solo. Ingantawa ya zama mafi daidaituwa, tare da masu kida suna ɗaukar 8- ko 16-bar solo tare da raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman raƙuman

Muhimman siffofin motsa jiki na motsa jiki:

  • Rhythmic drive: A karfi swing ji tare da takwas da sautin buga unfairly; da soloist dole ne kulle a cikin groove.
  • Bayanan Blue: 0: [1] Bayanan Blue da kuma karkatattun sauti suna da yawa.
  • Kiran da amsa tsakanin sassan: Saxofon da tagulla galibi suna musayar jimloli a bayan mai raira waƙa.

Swing improvisation ya buƙaci tsabta da kuma kirkirar waƙa, kamar yadda aka watsa shirye-shiryen solo zuwa babban masu sauraro.

3. Ƙarƙashin ƙwaya

Bebop ya bayyana a cikin shekarun 1940s a matsayin martani ga tsinkaya na swing. Charlie Parker, Dizzy Gillespie, da Thelonious Monk sun watsar da saurin rawa kuma sun mai da hankali kan saurin layi, masu rikitarwa.

Halayen yin amfani da bebop:

  • ] Ƙarfafawa: ] Masu haɓaka suna tsara kowane canjin kirtani tare da arpeggios da madaidaiciyar gudu.
  • Kasuwanci da tsarin kusanci: Bayanan da aka yi niyya suna kewaye da sautunan maƙwabta masu launi.
  • High gudun da virtuosity: Solo suna da yawa kuma suna da matukar bukata.
  • ]Rhythmic syncopation: ] Sautunan suna fada a kan rauni, yana haifar da tashin hankali mai motsawa gaba.

Bebop ya kasance harshen harshen jazz na zamani.

4. Jazz mai kyau

Cool jazz ya ci gaba a ƙarshen 1940s da 1950s a matsayin mai laushi, mafi kwakwalwa madadin zuwa bebop. Miles Davis, Chet Baker, da Dave Brubeck sun fi son sautunan haske, jinkirin jinkiri, da ƙarin sarari a cikin solo.

Abubuwan da ke cikin jazz mai kyau:

  • Ci gaban melodic a kan rikitarwa ta jituwa: Soloists suna gina dogon, raƙuman waƙa waɗanda ke kauce wa ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙarancin ƙ
  • Fassarar magana: Ana amfani da shiru da hutawa da gangan don tsara motsin rai.
  • Binciken Modal: [1] Misalai na farko na wasa na modal sun bayyana (misali, Daviss So What).
  • ]Hadin gwiwar counterpoint: ] Sauti wani lokacin suna yin layi masu zaman kansu, musamman a cikin ƙananan ƙungiyoyi.

Jazz mai kyau ya koyar da cewa kamewa na iya zama mai ƙarfi kamar gudun.

5. Ƙarfin Bop

Hard bop ya tashi a tsakiyar shekarun 1950 a matsayin komawa zuwa jazz blues da kuma tushen bishara, jagorancin Art Blakey, Horace Silver, da Lee Morgan. Yana haɗu da rikitarwa ta fasaha tare da ruhu, jin dadi. Ingantawa a cikin hard bop yana da hankali da motsin rai, galibi an gina shi akan maimaita riffs da karfi baya.

Bayyana siffofi:

  • Blues da kalmomin bishara: Blue notes, bended pitches, da kira-da-amsa phrasing ne na farko.
  • Solos masu motsawa: FLT:1 Sashe na sautin yana kulle cikin aljihu mai zurfi, kuma mai wasan kwaikwayo yana gina daga wannan tushe.
  • Modal da pentatonic Mix: 'Yan wasan hard bop galibi suna haɗuwa da layin bebop tare da madaidaitan matakan modal don bambanci.
  • Hatun motsin rai: Solo na iya canzawa daga ƙwarewar introspection zuwa ƙarar ƙarar.

Hard bop ya kasance daya daga cikin hanyoyin da aka fi samun dama amma kuma ya fi dacewa.

6. Jazz na zamani

Jazz na zamani, wanda Miles Davis da John Coltrane suka fara a ƙarshen shekarun 1950, ya 'yantar da mai haɓaka daga sauye-sauyen sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin

Muhimman al'amurran da suka shafi ingantaccen aiki:

  • An yi amfani da hanyoyi kamar Dorian, Mixolydian, da Lydian.
  • Ci gaban motsi: Soloists suna maimaitawa da bambanta gajerun ɓangarorin waƙa don gina daidaituwa.
  • Ƙananan tashin hankali na jituwa: Tare da ƙananan canje-canje na kariya, mai haɓaka zai iya mai da hankali kan sautin, rubutu, da kuma motsi.
  • ] Ƙarfafa solo: ] Wayoyi na iya wuce minti 1015, yana ba da damar zurfin bincike.

Jazz na zamani ya buɗe ƙofar zuwa ƙarin hanyoyin gwaji.

7. Jazz na Kyauta

A ƙarshen shekarun 1950 da 1960, Ornette Coleman, Cecil Taylor, da John Coltrane (a cikin aikinsa na baya) sun lalata tsarin gargajiya. Jazz kyauta ya kawar da ci gaban daidaitattun sauti, masu auna, da kuma wani lokacin ma cibiyoyin sauti. Improvisation ya zama kawai hulɗa ta kai tsaye, sau da yawa ta amfani da fasahohi masu tsawo (multiphonics, overblowing, effects effects).

Abubuwan da ke tattare da aikin tayar da hankali na jazz kyauta:

  • Babu wani tsari na harmonic da aka riga aka ƙaddara: Soloists suna ƙirƙirar sautunan kansu da kuma tazara.
  • Ƙungiyar kyauta ta kyauta: Masu kida da yawa suna tattaunawa a lokaci guda ba tare da jagora ba.
  • Jin hankali kan sautin da makamashi: Maganar motsin rai tana da fifiko akan kyakkyawa ta al'ada.
  • 'Yancin rhythmic: 'Yancin lokaci na iya canzawa kwatsam ko ɓacewa gaba ɗaya.

Free jazz yana buƙatar sauraro da amincewa mai ban mamaki.

8. Jazz Fusion

A ƙarshen shekarun 1960 da 1970, mawaƙa na jazz kamar Miles Davis, Herbie Hancock, da Weather Report sun haɗu da jazz tare da rock, funk, da kiɗa na lantarki. Fusion improvisation ya haɗa da kayan aikin lantarki, sa hannu mai rikitarwa, da kuma sahun nauyi. Mai waƙar ya kamata ya daidaita ƙamus na jazz tare da ƙarfin dutse da tasirin funk.

Abubuwan da ke tattare da fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar fasahar

  • Kayan aikin lantarki: Guitars masu karkatarwa, masu hadawa, da bass na lantarki sun canza launi na sauti.
  • Saƙon lokaci na Odd: 7/4, 9/8, da masu canjin mita suna da yawa.
  • Funk da kuma rock rhythmic ji: Solos sau da yawa zauna a saman kulle-in groove, ta yin amfani da syncopation da fatalwowi notes.
  • Ƙarfafa siffofin waƙa: Sassan ingantawa na iya zama mafi tsawo da kuma tsari fiye da na gargajiya jazz.

Fusion ya kasance sanannen kuma koyaushe yana canzawa.

9. Bayan Bop

Post-bop ya bayyana a cikin shekarun 1960 a matsayin haɗuwa da hard bop, modal jazz, da free jazz. Masu fasaha kamar Wayne Shorter, Herbie Hancock (a cikin shekarun Blue Note), da farkon Miles Davis quintet sun kirkiro harshe mai mahimmanci yayin da suke riƙe da ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙƙarfan ƙaƙ

Halaye na ingantaccen bayan-bop:

  • Sauƙin daidaitawa: Soloists suna karɓar kyauta daga duka bebop da hanyoyin modal, galibi a cikin ƙungiyar mawaƙa guda ɗaya.
  • Rhythmic elasticity: Sashin sautin yana turawa da jan saurin, yana haifar da tattaunawa ta turawa da jan hankali.
  • Hada da fasaha: Canja ma'auni, zamewa gefe, da tsawo arpeggios ne misali.
  • [1] [2] [3] [4] [5] [5] [5] [6] [6] [7] [7] [7] [7] [7] [7] [7] [7] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [8] [9] [9] [9] [9] [9] [9] [9] [9] [10] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [11] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12] [12]

Ana daukar post-bop sau da yawa a matsayin cibiyar haɓaka jazz mai sauti, haɗuwa da ƙwarewar hankali tare da zurfin motsin rai.

10. Latin da kuma Afro-Cuban Jazz

Jazz Latin, wanda Dizzy Gillespie, Chano Pozo, da masu fasaha na baya kamar Tito Puente da Eddie Palmieri suka fara, sun haɗu da jituwa da haɓaka tare da rhythms na Afro-Cuban da na Brazil.

Ingantawa a cikin Latin jazz:

  • Tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin tsarin
  • Montunos da guajeos: 'Yan wasan piano da ƙaho galibi suna yin gajeren zane-zane masu maimaitawa waɗanda ke hulɗa da sautin.
  • Maganganun melodic: [FLT: 1] Sikeli na blues, ƙananan halaye, da siffofin pentatonic suna da yawa, galibi tare da kayan ado na musamman na Latin.
  • Kiran da amsa tare da bugun jini: Soloists suna musayar jimloli tare da drum, suna haifar da tattaunawa mai yawa.

Latin jazz yana buƙatar daidaito na rhythmic da fahimtar clave.

11. Jazz na Zamani da na Zamani

Daga shekarun 1990 zuwa gaba, jazz ya shawo kan tasirin hip-hop, kiɗa na lantarki, indie rock, da al'adun duniya. Masu fasaha kamar Robert Glasper, Kamasi Washington, da Brad Mehldau sun haɗu da haɓaka jazz tare da R & B beats, kayan lantarki, da kuma tsawo siffofi. Mai haɓaka yau dole ne ya yi tafiya a cikin wani fadi da yawa: madaukai na samfurin, sandunan haɗuwa, da kuma tsarin waƙoƙin da ba na gargajiya ba.

Hanyoyin fasahar jazz ta zamani:

  • Harmonic karɓar kuɗi daga pop da ruhu: Ana haɗa haɗin haɗin kai tare da sauƙi na diatonic.
  • Rhythmic sassan iya zama madaidaiciya (hip-hop) ko swing, sau da yawa a cikin guda solo.
  • Ingantaccen rubutu: Amfani da tasirin tasirin, sautunan da aka ci gaba, da yanayin sauti na yanayi.
  • Canjin Genre: A solo iya motsawa daga bebop licks zuwa wani funky groove sa'an nan kuma a cikin wani free sashe, duk a daya yi.

Ingantaccen zamani game da haɗuwa ne, yana buƙatar ƙwarewa a cikin lokatai da salo da yawa.

Nazarin Kwatanta: Yadda Sashin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin Yanayin

Duk da yake duk kayan aikin jazz suna da mahimmanci na spontaneity, kowane nau'i na subgenre yana jaddada nau'ikan kiɗa daban-daban:

  • Hanyar haɗin kai: Bebop da bop mai ƙarfi suna dogara ne akan canje-canje masu sauri da canje-canje a sikelin; modal da free jazz suna rage yawan haɗin kai don 'yancin waƙa; jazz mai sanyi yana amfani da ƙarancin jituwa amma mai kyau; post-bop yana haɗuwa da duka hanyoyin cikin sauƙi.
  • Feel: FlT: 1 Swing da bop mai ƙarfi suna gina a kan bugun jini mai ƙarfi; bebop yana amfani da sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sa
  • Hanyar melodic: Dixieland da swing suna son layi masu sauƙi, masu raira waƙa; layin bebop suna da kusurwa da sauri; waƙoƙin jazz masu sanyi suna da tsawo da waƙa; layin jazz na kyauta na iya zama mai mahimmanci ko rarrabuwa; jazz na zamani na iya haɗuwa da kowane ɗayan waɗannan.
  • Hadin gwiwar rukuni: Dixieland da jazz kyauta suna jaddada spontaneity na gama gari; bebop da hard bop galibi suna nuna mawaƙa na mutum; haɗuwa na iya nuna tsauraran tsari tare da ɓangarori masu buɗewa; post-bop da jazz na zamani suna da ma'amala ta tattaunawa mai girma.

Fahimtar waɗannan bambance-bambance yana taimaka wa mawaƙa su daidaita ƙamus da kunne ga kowane salon. Mai kunnawa na bebop da ke shiga cikin yanayin yanayin dole ne ya koyi yin tunani a cikin sikelin maimakon kirtani; tsohon soja na jazz mai kunnawa mai wuya na iya buƙatar kame rikici da rungumi groove.

Nasihu na Aiki don Binciken Jazz Subgenres a matsayin Mai Ingantawa

Ko kai mai farawa ne ko kuma mai wasan kwaikwayo mai kwarewa, fadada zangon wasan kwaikwayo a cikin ƙananan nau'o'in zai sa ka zama mai kida mai mahimmanci da kuma kirkira.

  • Nemi kanka cikin manyan: Ji sosai ga Louis Armstrong (Dixieland), Count Basie (Swing), Charlie Parker (Bebop), Miles Davis (Cool, Modal, Fusion), Art Blakey (Hard Bop), Ornette Coleman (Free Jazz), Herbie Hancock (Fusion, Post-Bop, Modern), da Robert Glasper (Modern).
  • FLT:0]]Koyi takamaiman sikeli da ƙira: Don bebop, yi amfani da sikelin bebop mai rinjaye da siffofin ƙira. Don modal jazz, yi aiki a kan jerin Dorian da Lydian. Don free jazz, bincika sautunan atonal da fasahohi masu tsawo akan kayan aikinka. Don Latin jazz, yi amfani da kunnawa a kan tsarin clave.
  • Play tare da sautin sashi bambance-bambancen: A cikin wani swing ko hard bop saitin, kulle a cikin tafiya bass da hawa cymbal. A cikin haɗuwa, mayar da hankali kan syncopation da fatalwowi dabaru. A cikin free jazz, yi sauraro ba tare da ƙidaya ko bin wani nau'i ba. A cikin Latin jazz, ciki harda clave da wasa kashe bugun jini.
  • Ku shiga ko ku haɗu da ƙungiyoyi da aka keɓe don takamaiman nau'ikan: Koyon mafi kyau yana faruwa a ainihin lokacin tare da sauran mawaƙa. Jam ɗin bebop yana tilasta muku yin saurin sauyawa; zaman haɓaka kyauta yana gina kunnuwanku da ƙarfin hali; ƙungiyar jazz ta Latin tana koyar da daidaito na rhythmic.
  • Rijistar kanka: Nazarin ko furcinka, zaɓin sautinka, da jin daɗin da ake so ya dace da salon da aka yi niyya. Misali, shin layin bebop ɗinku yana da sautunan wucewa na chromatic da suka isa? Shin solo na modal ɗinku yana haɓaka wata ma'ana? Shin solo na Latin ɗin ku yana girmama clave?
  • Nazarin al'adu da yanayin tarihi: Fahimtar dalilin da yasa wani nau'in ya fito (misali, bebop a matsayin mai mayar da hankali ga zane-zane na kasuwanci, ko free jazz a matsayin amsa ga rikice-rikice na zamantakewa) yana zurfafa alaƙar motsin zuciyar ku da zaɓin fassara.
  • Fata tare da motsa jiki na nau'i-nau'i: Ɗauki sauƙi na blues kuma yi wasa a kan shi ta amfani da ƙamus na bebop a kan wani kide-kide, sannan hanyar modal a kan na gaba, sannan hanyar jazz kyauta. Wannan yana gina sassauci.

Ƙarshen

Al'adun jazz wani fili ne na nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau'ikan nau