Table of Contents

Me Ya Sa Sikeli da Arpeggios na Jazz Suna da Muhimmanci ga Masu Wasa da Ƙaramin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin

A cikin kiɗa na gargajiya, sashin ƙananan ƙarfe yawanci yana karanta sassan da aka rubuta cikakke.Kowane bayanin kula, motsi, da kuma magana an rubuta. Jazz yana aiki daban. Ingantawa yana da mahimmanci, yana buƙatar mawaƙa su ƙirƙiri waƙoƙi a wuri a kan tsarin jituwa. Ga masu kunna trombone, euphonium, da tuba, wannan na iya zama mai ban tsoro saboda kayan aikin su galibi suna ɗaukar layin bass ko sautin rhythmic maimakon solo. Duk da haka, ƙimar jazz da arpeggios suna ba wa masu kunna ƙarfe ƙarfe tushe don gina daidaitattun, salon dacewa da solo da kuma yin hulɗa da sassan rhythm.

Scales da arpeggios suna aiki a matsayin taswirar hanya. Suna bayyana yanayin jituwa na sautin, suna nuna wane sautin sauti ne, wanda ke haifar da tashin hankali, da kuma yadda za a warware wannan tashin hankali. Ta hanyar sarrafa waɗannan ƙirar, masu kunna ƙaramin ƙarfe na iya motsawa fiye da kawai kunna sautin da ya dace don ƙirƙirar layin magana waɗanda ke saƙa, juyawa, da faɗin labari. Bugu da ƙari, yin aiki da ma'auni da arpeggios yana inganta fasahar fasaha slide saurin ga masu wasan trump, daidaitaccen bawul don euphonium da tuba players da faɗaɗa kewayon masu kunnawa.

Mahimman Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin

Ana gina haɗin jazz daga ƙananan nau'ikan sikelin, kowannensu ya dace da ƙayyadaddun halaye na ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙyadaddun ƙyadaddun ƙ

Babban Scale (Yonian Mode)

Wannan shine tushen sauti na Yammacin Turai. A cikin jazz, ana amfani da manyan sikelin a kan manyan 7th chords (misali, Cmaj7). Tsarin tazara shine duka, duka, rabin, duka, duka, rabin. Masu kunna ƙaramin ƙarfe galibi suna gwagwarmaya da babban rijista lokacin kunna manyan sikelin a cikin maɓallan kamar F ko B. Yi aiki a hankali tare da jirgin sama don tabbatar da sautin, musamman a digiri na 7, wanda zai iya sauti mai kaifi a kan yawancin kayan aikin ƙaramin ƙarfe idan ba a sauke shi ba.

Yanayin Dorian

Dorian ƙaramin sikelin ne tare da ɗagawa 6th (misali, D Dorian: D, E, F, G, A, B, C, D). Yana da ma'auni don ƙaramin 7th chords. Sautin sa ya ɗan haske fiye da ƙaramin ƙaramin halitta. Don ƙaramin ƙaramin ƙarfe, ƙaramin 6th na iya zama da wahala a ji saboda ba ya cikin ƙaramin pentatonic. Yi aiki da arpeggios na ƙaramin 7th chord (ƙuruwar, 3, 5, 7) sannan ƙara 9th da 11th don gina layin Dorian.

Yanayin Mixolydian

Ƙarfin 7 mai rinjaye yana amfani da Mixolydiana babban sikelin tare da ƙananan 7th (misali, G Mixolydian: G, A, B, C, D, E, F, G). Wannan sikelin yana da mahimmanci ga ƙarar V7 a cikin ci gaba na ii-V-I. Flat 7 yana samar da mahimmancin tashin hankali na bluesy. A kan trombone, tsabtace matsayi na slide don saukar da 7th (misali, F a cikin maɓallin G) yana buƙatar ƙwarewar kunne.

Ƙananan Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙ

Kayan waƙa guda biyar, root, 3, 4, 5, 7 suna haifar da tsari mai yawa, mai launin shuɗi. Masu kunna ƙananan ƙarfe na iya amfani da wannan sikelin akan ƙananan ƙwayoyin, ƙwayoyin mai rinjaye, har ma da manyan ƙwayoyin a cikin yanayin funk ko ruhu. Saukin sa yana taimakawa wajen gina amincewar waƙa. Yi aiki a cikin octaves don faɗaɗa zangon da kuma daidaita hutu.

Ƙididdigar Blue

Ƙara 5 (ƙwararren blue) zuwa ƙananan pentatonic, kuma kuna da sikelin sautin shida. Sikeli na blues shine tushen haɓaka jazz. A kan ƙananan ƙarfe, 5 sau da yawa yana zaune a cikin rijista inda intonation ba shi da kwanciyar hankali (misali, C a kan slide na B trombone 6). Yi amfani da tuner kuma yi aiki da lankwasawa zuwa ga blue note daga ƙasa don jin gaskiya.

Cikakken Sautin Sauti

Wannan sikelin yana da sautuna shida. Ana amfani dashi akan karin sautunan da wasu masu rinjaye. Masu wasa da ƙananan ƙarfe na iya samun sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan sautunan

Canja Scale (Super Locrian)

An gina shi daga yanayin 7 na ƙaramin waƙa, sikelin da aka canza ya ƙunshi duk ƙarfin da zai yiwu: 9, 9, 11, 13. An buga shi a kan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan madaidaitan mada

Yanayin Lydian

Babban sikelin tare da ɗaga 4th (misali, F Lydian: F, G, A, B, C, D, E, F). Ana amfani dashi akan maj711 chords. 4th mai ɗagawa yana ba da haske, inganci mai kyau. Masu kunna ƙaramin ƙarfe na iya jaddada 11 (B na halitta a cikin maɓallin F) azaman sautin wucewa mai launi. Yi amfani da arpeggios na Lydian (1, 3, 4, 5, 7) don kulle wannan sauti.

Muhimman Abubuwan da Za Su Iya Sa Mu Inganta Jazz

Arpeggios suna nuna ainihin abin da ke cikin kirtani. Idan aka haɗa su da sautunan sikelin, suna haifar da layin waƙa wanda ke nuna jituwa a fili. Don ƙananan ƙarfe, arpeggios suna haɓaka daidaito na slide ko bawul kuma suna ƙarfafa haɗin tsakanin kunne da yatsunsu.

  • Babban 7 arpeggio:FlT:1] Tushen, 3, 5, 7. Misali: Cmaj7 = C, E, G, B. Yi wasa a cikin duk juyawa; na 3 da 7 sune sautunan jagora waɗanda ke ƙayyade ingancin jigo.
  • Misalin: Cm7 = C, E, G, B. Ka kiyaye 3 da 7 a cikin layiduka biyu na iya motsawa a kan ƙananan tagulla.
  • Mai rinjaye 7 arpeggio:FlT:1] Tushen, 3, 5, 7. Misali: G7 = G, B, D, F. Yi aiki tare da lankwasawa mai launin shuɗi akan 7.
  • FALT:0]]Half-diminished arpeggio: Tushen, 3, 5, 7. Misali: Bø = B, D, F, A. Na kowa ne a cikin ƙananan ci gaba ii-V-i. Matsayin slide na trombone yana buƙatar daidaitawa mai kyau don raguwa na biyar.
  • FALLOW: 0]]Rage 7 arpeggio: Tushen, 3, 5, 7 (kamar 6). Misali: Bdim7 = B, D, F, A. Cikakken ma'aunikowane ƙaramin mataki na uku yana haifar da ƙaramin rukuni. Yi amfani da wannan don wucewa ƙarancin kirtani.
  • A cikin euphonium, G na iya buƙatar haɗin bawul daban don kasancewa cikin layi.

Don kowane arpeggio, yi aiki da hawa, saukowa, da kuma a cikin nau'ikan 4-note (misali, tushen3rd5th7th, sannan 3rd5th7throot). Haɗa arpeggios ta hanyar sautunan yau da kullun yayin motsawa tsakanin kirtani.

Nasihu Mai Amfani don Yin Koyon Ƙarfin Jazz da Arpeggios a Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ

Sauran kayan aiki da aka yi da ƙaramin ƙarfe suna da ƙalubale na zahiri da na sauti.

Ka Yi Amfani da Metronome Amma Ka Yi Amfani da kunnuwanka

Rhythm yana da mahimmanci a cikin jazz. Saita metronome don yin rawar jiki na takwas (metronome a kan bugun 2 da 4) ko amfani da madauri madauri. Amma kada ku taɓa yin aiki a kan sikelin ba tare da sauraron intonation ba. Masu kunna ƙananan ƙarfe suna yin wasa a cikin ƙananan rajista kuma suna da kaifi a saman; app na mai saiti na iya taimakawa daidaita slide ko ƙofar. Fara a jinkirin saurin (60 bpm kwata-kwata) kuma a hankali ƙara.

Ka Yi Koyi a Dukan Fitowa, Musamman Waɗanda Ba Su da Daɗi

Matsayin jazz yana daidaitawa ta hanyar dukkan maɓallan. Duk da yake B, E, da F suna da dadi a kan ƙananan ƙarfe, maɓallan kamar B, F, da C suna buƙatar aiki mai kyau na slide ko bawul. Ku ciyar da ƙarin lokaci akan waɗannan; za su inganta ƙwarewar ku gaba ɗaya. Yi amfani da tsarin sake zagayowar-na-biyar don sikelin da arpeggios.

Hanyar da Aka Yi da Kuma Yadda Aka Yi Magana

Gudun ma'auni a cikin madaidaiciyar takwas ba zai gina kalmomin jazz ba. Yi amfani da ma'auni ta amfani da sautin takwas, sautin sautin, da kuma syncopations. Gwada tare da maganganu daban-daban: legato, staccato, tenuto, da kuma bayanan fatalwowi. 'Yan wasan trombone na iya amfani da harshen taushi (doodle-tongue) don saurin wucewa; euphonium da tuba players na iya yin amfani da harsuna da yawa don kiyaye layin da ke da kyau.

Ka haɗa da Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin

Yi wasa tare da iReal Pro (ana samun su a kan iReal Pro app (FLT: 0), YouTube backing tracks, ko Aebersold play-alongs. Wannan yana haɓaka jin lokaci da kuma haɗakarwa. Ga ƙananan ƙarfe, waƙoƙi tare da layin bass mai tafiya suna da amfani musamman saboda suna horar da ku don kulle tare da sashin sautin yayin da kuke ƙirƙirar layin waƙa.

Ka Mai da Hankali ga Fasaha ta Slide ko Valve

Don masu wasan kwaikwayo na trumps, sauye-sauye masu santsi sune komai. Yi amfani da sikelin ta amfani da matsayi na madadin (misali, matsayi na 6 ga babban A, 7 ga B) don kauce wa manyan canje-canje. 'Yan wasan Euphonium da tuba ya kamata suyi aiki akan haɗuwa da bawul wanda ke rage juriya musamman a kan kayan aiki tare da tsarin biyan kuɗi. Yi amfani da euphonium ko tuba mai bawul 4 don samun damar yin amfani da yatsunsu na madadin don mafi kyawun saiti da kuma saurin gudu.

Ka Ƙara Ƙwarewa Daga Rana ta Farko

Ba kwa buƙatar ku mallaki dukkan sikeli kafin ku yi wasa. Ku ɗauki vamp mai ɗaure biyu (misali, Cm7 zuwa F7) kuma ku yi amfani da bayanan da suka dace na Dorian da Mixolydian. Ku ƙirƙiri kalmomi masu sauƙi waɗanda ke niyya ga na 3 da 7 na kowane ƙira. Sannu a hankali ku faɗaɗa kewayon da rikitarwa. Wannan aikace-aikacen duniyar gaske yana ƙarfafa ilimin ka'idar da sauri fiye da atisayen da aka yi a cikin zurfin.

Samfurin Kwarewa: Ci gaban II-V-I a cikin B Major

II-V-I shine jerin sautin da aka fi amfani da shi a jazz. Don B babban, sautin sune Cm7 (ii), F7 (V), Bmaj7 (I). Ga tsarin motsa jiki na mataki-mataki don masu wasa low.

  1. Yi wasa da arpeggios daban: Cm7 (C, E, G, B), F7 (F, A, C, E), Bmaj7 (B, D, F, A). Yi amfani da metronome a 60 bpm, sautin daya a kowane bugun jini.
  2. Haɗa arpeggios ta hanyar sautunan yau da kullun: Cm7 zuwa F7 suna raba E (na 7 na F7). F7 zuwa Bmaj7 suna raba F da A. Yi tafiya cikin sauƙi tsakanin arpeggios, sauka akan bayanan da aka raba.
  3. Ƙara sautunan sikelin: A kan Cm7, yi amfani da C Dorian (C, D, E, F, G, A, B). A kan F7, yi amfani da F Mixolydian (F, G, A, B, C, D, E). A kan Bmaj7, yi amfani da B Ionian (B, C, D, E, F, G, A). Yi wasa da sikelin hawa da sauka, sannan ka karya cikin alamu (misali, 1‐2‐3‐5, 1‐3‐5‐7).
  4. Yi amfani da kalmomin 4-mataki: Fara da sautin sauti, sannan ka haɗu da matakan sikelin da sautin wucewa. Rubuta kanka ka kimanta ko kowane sautin yana nuna sautin da ke ƙarƙashinsa.
  5. Yi aiki daidai da ci gaba a cikin C (Dm7G7Cmaj7), F (Gm7C7Fmaj7), da sauransu. Wannan yana gina ƙarfi a cikin kewayon kayan aiki.

Don jin daɗin jazz mafi inganci, yi amfani da ƙamus na FLT:0ii-V-I na yawancin jazz licks. Kwafa gajeren magana daga JJ Johnson ko Bob Brookmeyer solo kuma kuyi taswirar shi akan B ii-V-I.

Ƙididdiga na Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙar

Da zarar matakan tushe da arpeggios sun kasance masu dadi, 'yan wasan ƙaramin ƙarfe ya kamata su bincika matakan bebop. Waɗannan suna ƙara sautin wucewa mai launi (yawanci 7 ko 5) don ƙirƙirar sautin sautin sautin takwas wanda ya dace da sautin sauti akan sautin ƙarfi. Misali, sautin C bebop mai rinjaye: C, D, E, F, G, A, B, B (B shine sautin wucewa mai launi). Wannan saitin yana da matukar taimako don gina santsi, layi masu daidaitawa akan sautin sauti.

Wani muhimmin mahimmanci shine ƙarancin ƙarancin sauti da yanayin sa. Ana amfani da yanayin 4 (Lydian dominant) a kan madaidaicin 711 chords; yanayin 7 (an canza) da muka riga muka rufe. Masu kunna ƙananan ƙarfe waɗanda suka mallaki waɗannan yanayin na iya sarrafa canje-canje a cikin matakan amincewa. Yi aiki da ƙarancin sauti a cikin dukkan maɓallan, sannan bincika yanayin sa a ƙaho.

Abubuwan da aka Shawarar don Inganta Jazz na Ƙananan Brass

Gina ɗakin karatu na kayan aiki masu dogara yana hanzarta ci gaba. Ga wasu albarkatun da ke da tasiri mai yawa ga masu wasa da ƙananan ƙarfe.

  • Littattafai: Full: 1 Tirƙirar Jazz na Jerry Coker (wani tsoffin wanda ke ba da motsa jiki mara iyaka don kirtani da sikelin). Jazz Improvisation for Trombone na Eric Bolvin (wanda aka tsara don slide da zangon trombone). The Jazz Tuba na Rich Moore (don hanyoyin tuba-daidaitacce).
  • Play-Along Apps: iReal Pro (wanda ke samuwa a FLT:2 iReal Pro) yana ba ka damar ƙirƙirar ci gaban sauti na al'ada da canza maɓalli nan take. Tashoshin YouTube kamar Trombonology da Jazz Tuba suna ba da waƙoƙin tallafi kyauta.
  • Bayanan rubutu: Bayanan rubutu na J.J. Johnson (The Eminent J.J. Johnson), Steve Turre (Colors of the World), da Ray Draper (tuba). Nazarin yadda suke amfani da sikelin da arpeggios. Ana iya samun rubutun kyauta akan FLT:2]]jazztranscriptions.com ko ta hanyar bayanan ɗakin karatu na jami'a.
  • A darasi na sirri: A malamin da ya kware a low-metal jazz, ko da via Skype iya gyara embouchure, slide, ko bawul matsaloli da kai-aikin rasa. duba a shafukan kamar MusicTeachers.org ko gida koleji jazz sassan.
  • Kayan yanar gizo kamar Jazz Improvisation for Trombone by Bill Watrous ko Tuba Low Brass Academy suna ba da darussan bidiyo masu tsari. Da yawa suna kyauta akan YouTube; darussan da aka biya suna ba da zurfin zurfi.

Ka Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara Ƙara

Jazz improvisation wani fasaha ne wanda ke girma yadudduka. Scales da arpeggios su ne tubali, amma sauraro, rubutu, da wasa da wasu su ne mai ƙura. Low-metal players kamata ya yi kullum halaye na biyu fasaha drill da m play. Ku ciyar minti 20 a kan ma'auni da arpeggios a duk keys, sa'an nan kuma minti 20 improvising a kan wani backing waƙa. Kowane zaman, kalubalanci kanka da wani sabon ra'ayi: wani sabon sikelin, wani sabon key, wani sabon rhythmic pattern.

Ka tuna cewa magana ta fi rikitarwa muhimmanci. Layin mai sauƙi da aka buga tare da motsawa, magana mai kyau, da kuma layi mai kyau zai kasance koyaushe ya fi sautin sautin bazuwar. Yi amfani da muryar kayan aikinka ta musamman: trombone glissandi, euphonium lyrical sustain, tuba mai ƙarancin ƙasan. Jazz yana game da faɗin labari, kuma ma'auni da arpeggios suna ba ku ƙamus don gaya wa wannan labarin da kyau.

Tare da daidaituwa, mai da hankali, masu wasan ƙarancin ƙarfe na iya canza haɓakawar su daga jinkirin zuwa amincewa. Tafiya tana da lada, kuma al'adun jazz suna da wadata lokacin da tubas, euphoniums, da trombones suka shiga tattaunawar. rungumi ƙalubalenbabban babban solo naka yana da nisa kawai.