Table of Contents

Fahimtar Abubuwan Da Ke Cikin Ƙarfafa Jazz

A cikin ainihinsa, haɓaka jazz ya ƙunshi ƙirƙirar kiɗa a cikin lokaci na ainihi, sau da yawa a kan ƙaddarar ƙirar ƙira. Ba kamar kiɗa na gargajiya ba, inda aka rubuta bayanan da aka tsara, masu haɓaka jazz suna amfani da sikelin, yanayin, da sautin ƙira don ƙirƙirar ƙira da waƙoƙi na musamman a wuri. Hanyar fasaha tana buƙatar haɗuwa da hankali, ilimin ka'ida, da ƙwarewar fasaha duk abin da ke haɓaka cikin lokaci ta hanyar aiki da gangan.

Kafin ka shiga cikin fasaha, yana da muhimmanci a gina tushe mai ƙarfi a waɗannan yankuna:

  • Ka'idar kiɗa ta asali (scales, chords, intervals)
  • Sauraron rikodin jazz don fahimtar salon da magana
  • Sanin ƙa'idodin jazz da suka saba da su da kuma yadda suke yin sauti
  • Yadda za a iya sauraron sautin da kuma sautin da ya dace

Tafiya ta fara da kunnuwa da tunani. Jin manyan masu haɓaka kamar Miles Davis, John Coltrane, ko Bill Evans yana taimaka maka ka sha harshe a zahiri. Yayin da kake saurara, ka mai da hankali ga yadda suke haɓaka tashin hankali, amfani da sarari, da kuma hulɗa da sashin sautin. Kwafin gajerun kalmomi ko da kawai sautin biyu ko uku yana horar da kwakwalwarka don gane ƙirar da za ka iya daidaitawa daga baya a cikin wasanka. Fara ta hanyar raira waƙa tare da rikodin kafin taɓa kayan aikinka; wannan yana gina haɗin kai tsaye tsakanin kunnenka na ciki da yatsun ka.

Hakanan yana da mahimmanci shine fahimtar yadda ci gaban jigo ke aiki. Yawancin ƙa'idodin jazz suna bin cibiyar sauti tare da motsi na yau da kullun: ii-V-I, canje-canjen blues, canje-canjen sautin, da vamps na modal. Sanin inda jituwa ke tafiya yana ba ku damar tsammanin sautin da aka yi niyya da ƙirƙirar layi masu jituwa. Jagorar Berklee don haɓaka yana ba da zurfin zurfin zurfin wannan ƙashin baya. Ku ciyar da lokaci don nazarin ci gaban jigo na wasu ƙa'idodi rubuta su kuma gano manyan cibiyoyin. Wannan aikin bincike yana ba da lada lokacin da kuka shiga cikin bandstand.

Ƙwarewar Ƙwarewar Jazz don Masu Farawa

1. Ka Koyi Kuma Ka Koyi Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'

Ƙaramar ƙirar blues tana ɗaya daga cikin kayan aikin asali a cikin haɓaka jazz. Yana ƙara inganci mai kyau da kuma bayyanawa ga kunnawa kuma yana aiki akan canje-canje da yawa.

  • Tushen
  • Ƙananan na uku
  • Cikakken na huɗu
  • Ƙananan biyar (wanda ake kira "blue note")
  • Cikakken na biyar
  • Ƙananan na bakwai

Yi aiki da yin amfani da kalmomin da aka yi amfani da su ta amfani da ma'aunin blues a kan matakan blues. Wannan zai taimaka maka wajen haɓaka maganganu da ra'ayoyin rhythmic. Yi gwaji tare da lankwasa blue note (5) ko amfani da shi azaman sautin wucewa. Don ƙarin zurfin fahimta, koyi duka ƙananan da manyan ma'aunin blues; babban ma'aunin blues ya ƙara 3 wanda ke haifar da launi mai haske, duk da haka mai launin shuɗi. Bambanci tsakanin waɗannan ma'aunin biyu yana ba ku launi mai ban sha'awa don zanawa.

Hanya mai kyau don farawa ita ce ta hanyar kunna sikelin blues a cikin maɓalli ɗaya (misali, C minor blues a kan C7 blues) da kuma maimaita gajeren ƙwayoyin waƙa. Yayin da kuka sami kwanciyar hankali, canza sautin: yi amfani da sautin takwas, triplets, da kuma hutawa don tsara jimlolin ku. Rubuta kanku kuna wasa da sautin blues na goma sha biyu kuma ku saurara don ganin ko kalmominku suna ba da labari ko kuma kawai suna hawa da ƙasa a sikelin. Jagorar Jazz ta ba da kyakkyawan motsa jiki don sanin sikelin blues. Don ƙarin ƙalubale, gwada iyakance kanku zuwa sautin blues guda huɗu kawai don ƙirar kide-kide.

2. Sautin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin

Idan ka yi wasa da sauti, ka yi ƙoƙari ka jaddada waɗannan sautunan sautunan (ƙuruciya, na uku, na biyar, na bakwai) a kan sautin ƙarfi don ka bayyana jituwa a fili. Wannan fasaha tana kawo daidaituwa da tsari ga solo. Masu sauraro bazai ji sautunan sautunan ba, amma suna jin sautin jituwa da suke bayarwa.

Fara da yin arpeggiating kowane kirtani yayin da yake wucewa. Don wani Cmaj7 kirtani, wasa C-E-G-B a cikin tsari daban-daban. Sa'an nan kuma hada arpeggios tare da bayanin kula chromatic ko scalar sautunan da suka warware zuwa wani kirtani sautin. Alal misali, sauka a kan na uku na wani G7 kirtani ta hanyar kusanci da shi daga rabin mataki a kasa (F zuwa G) ko sama da shi (A zuwa G). Wadannan ƙuƙwalwar ƙara tashin hankali da saki, wani alama ce ta harshen bebop. Yi wannan a kan mai sauki ii-V-I a C mai girma: Dm7G7Cmaj7. Bayyana haruffan kowane kirtani na bakwai, sannan a hankali haɗa su da sautunan wucewa.

Yayin da kake ci gaba, yi aiki iri ɗaya a cikin maki goma sha biyu. Fara da maɓallan da suka fi dacewa don ƙa'idodin jazz (F, B, E, G, D) kuma faɗaɗa waje. Yi amfani da metronome saita zuwa ƙimar huɗu = 60 kuma kunna arpeggios a cikin ƙimar takwas. Wannan jinkirin jinkirin yana tilasta muku yin tunani a gaba da kuma jin kowane ƙimar kafin ku kunna shi.

3. Ka Yi Amfani da Ƙananan Ƙididdiga na Pentatonic

Pentatonic scales ne mai saukin ganewa da kuma m. Ana iya amfani da su don ƙirƙirar saurin sauti da mai kamawa a kan waƙoƙin jazz da yawa. Babban pentatonic sikelin yana da haske da farin ciki, yayin da ƙananan pentatonic ke ba da yanayi mai haske, mai rai. Tsarin su na daidaitawa yana sa ya zama mai sauƙi a gani a kan kowane kayan aiki.

Bayan ƙananan pentatonics, bincika "pentatonic superimposition". Alal misali, a kan wani Dm7 chord, gwada kunna D minor pentatonic (D-F-G-A-C). A kan wani G7 chord, canza zuwa G minor pentatonic (G-B-C-D-F) don gabatar da 3 da 7 tashin hankali. A kan Cmaj7, yi amfani da C major pentatonic (C-D-E-G-A) don tsabta, sauti mai jituwa. Hakanan zaka iya sanya ƙananan pentatonic a rabin mataki a sama da wani mai rinjaye chord misali, kunna E pentatonic a kan G7 don ƙirƙirar canzawa, waje sauti wanda ya warware kyau lokacin da ka koma tonic.

Wannan hanyar tana ba ku hanya mai sauƙi don kewaya canje-canje masu rikitarwa. Yawancin 'yan wasan jazz, daga Wes Montgomery zuwa Pat Metheny, sun yi amfani da jujjuyawar pentatonic zuwa babban sakamako. Yi aiki ta hanyar kunna tsarin pentatonic na biyu-octove kuma motsa shi ta hanyar ci gaba. Fara da blues a F kuma kunna F ƙananan pentatonic a kan kowane kariya. Sa'an nan kuma, a hankali gabatar da jujjuyawar akan kariya mai rinjaye. Saurari yadda maki guda biyar zasu iya sauti daban-daban dangane da jituwa ta asali.

4. Ka Koyi Yadda Za Ka Yi Kira da Amsa

Kira da amsa wani nau'i ne na kiɗa na gargajiya inda ake amsa wata magana (kira) ta wata magana (amsa). Wannan fasaha tana taimakawa wajen ƙirƙirar tattaunawa da kuma shiga solo. Yi ƙoƙarin haɓaka gajeren magana, sannan ku bi ta da wata magana mai banbanci ko ƙarin magana. Dangantakar tsakanin kalmomin biyu na iya zama mai saurin kai, mai sautin kai, ko kuma mai jituwa.

Don gina wannan ƙwarewar, fara da kira na sawu uku, kamar C-D-E yana hawa, kuma amsa tare da amsa wanda ya ƙare a kan sautin sauti, kamar G-F-E (sake sauka). A tsawon lokaci, ƙara tsawonsa da rikitarwa ta rhythmic. Wani atisaye: raira ɗan gajeren ra'ayi mai motsawa, sannan sake kunna shi akan kayan aikinka. Wannan yana ƙarfafa kunnenka na ciki kuma yana kwaikwayon hulɗar kira da amsa tsakanin mawaƙa da ƙungiyar. Yi wannan a kan wani sauƙi mai sauƙi ko madauki na ii-V-I. Ka kiyaye kiran gajere ba fiye da bugun biyu kuma ka ba amsa isasshen sarari don numfashi.

A cikin rukuni, cinikin huɗu tare da mai buga drum ko wani mai kunna ƙaho. Wannan aikin na duniya na gaske yana haɓaka ikon yin aiki da sauri kuma yana haɓaka saurin kai. Idan ba ku da ƙungiyar, yi amfani da waƙa ta baya kuma kuyi la'akari da sashin sautin kamar "kira" solo ɗin ku shine "amsa". Wannan tunanin yana canza kunnawa daga inji zuwa tattaunawa.

5. Ka Yi Bincike a Kan Yadda Ake Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Sa

Rhythm yana da mahimmanci kamar yadda waƙa a cikin jazz improvisation. Gwajin da daban-daban sautin tsawon, syncopation, da kuma hutawa don ƙara sha'awa da kuma kauce wa monotonous Lines. Playing "baya da bugun jini" ko "a gaban bugun jini" kuma zai iya haifar da wani swinging ji.

Aikin da ake yi: ɗauki tsari mai sauƙi na biyar (misali, C-D-E-F-G) kuma kunna shi tare da haɗuwa da sautin daban-daban takwas. Yi amfani da sautin takwas mai saƙa, uku na goma sha shida, da kuma hutawa. Sa'an nan kuma yi amfani da sautin iri ɗaya zuwa sikelin ko arpeggio a kan wani blues. Kula da inda ƙarar ta sauka ƙarar da aka haɗa a kan masu farin ciki (2 da 4) sune zuciyar swing. Yi aiki tare da metronome danna kawai a kan beats 2 da 4 don ciki da jin swing.

Wani fasaha shi ne barin sarari da gangan. Miles Davis ya yi amfani da shiru don gina tashin hankali. Yi aiki da wasa da jimlar sanduna biyu, sannan ka huta don sanduna ɗaya. Wannan yana tilasta wa mai sauraro ya yi tsammanin ra'ayi na gaba kuma ya sa ka numfasa. Yi ƙoƙarin yin rikodin kanka kuma ka lura da inda kake cike sararin ba dole ba. Shirya waɗannan lokutan a hankali, kuma a zaman aikinka na gaba, maye gurbin su da shiru. Za ka ji ingantaccen ingantaccen magana.

6. Ka Yi Amfani da Yanayin da Ƙa'idar da Ba ta Da Muhimmanci

Da zarar kun kasance da kwanciyar hankali tare da ma'auni na asali, bincika yanayin kamar Dorian, Mixolydian, da Lydian don ƙara launi da ƙwarewa ga solo. Waɗannan yanayin sun dace da takamaiman kirtani kuma suna iya taimaka muku kewaya cikin ci gaba mai rikitarwa. Kowane yanayin yana da bayanin kula na musamman sau da yawa ana kiransa "sautin launi" wanda ke bayyana sautin sa na musamman.

  • Dorian (misali, D Dorian a kan Dm7) ƙaramin sikelin tare da ɗaga shida, yana ba da haske ƙaramin launi. Yi amfani da shi don ii chords.
  • FLT:0 Mixolydian (misali, G Mixolydian a kan G7) sikelin mai rinjaye tare da 7, cikakke ne ga kords na V7.
  • Lydian (misali, F Lydian a kan Fmaj7) babban sikelin tare da ɗaga na huɗu, yana haifar da mafarki, sauti na zamani don manyan kwararru.

Don yin amfani da yanayin, yi amfani da su a kan wani kirtani na tsaye na tsawon minti da yawa. Alal misali, madauki Dm7 vamp kuma kunna D Dorian, mai da hankali kan siffar A na halitta (shafi na shida). Sa'an nan kuma gwada shi da D Aeolian (6) don jin bambanci. Aiwatar da wannan ga Mixolydian da Lydian akan G7 da Fmaj7 vamps, bi da bi. Raira bayanin kula na kowane yanayin kafin ka kunna shi wannan yana horar da kunnenka don sa ido ga bayanin kula da ya ba yanayin asalinsa.

Don ƙarin ci gaba, koyi hanyoyin FLT:0 a jazz da yadda suke da alaƙa da ka'idar sikelin sauti. Wannan zai buɗe damar da ba ta da iyaka ga bambancin waƙa. Wani motsa jiki mai tasiri shine ɗaukar wani sauti guda ɗaya (misali, Fmaj7) kuma kunna duk yanayin da aka dace (F Lydian, F Ionian, F Mixolydian) a kanta. Ji yadda kowane yanayin ya canza launi na jituwa. Wannan horo na kunne yana da mahimmanci lokacin da kuka haɗu da wani sauti a cikin sautin kuma kuna buƙatar zaɓar sikelin a ainihin lokacin.

Yadda Za Ka Ci Gaba da Jin Karatu: Tushen Ƙarfafa Jazz

Sanin fasaha na ƙwanƙwasa da ƙwayoyin sauti ba shi da amfani ba tare da kunne da aka horar da shi sosai ba. kunnuwanku ya kamata su yi wa yatsunku ja-gora, ba akasin haka ba.

Ka fara da koyon raira waƙa ta hanyar yin magana da ƙaho. Ka kunna ƙaho a kan kayan aikinka kuma ka raira waƙa na uku, na biyar, da na bakwai a sama. Sa'an nan kuma ka raira waƙa da ƙaho iri ɗaya. Ka matsa zuwa raira waƙa na ƙaho babban bakwai, mai rinjaye bakwai, ƙarami bakwai, rabin raguwa ta hanyar yin magana da ƙaho. Wannan zai iya zama da wuya a farkon, amma yana ƙarfafa hanyoyin jijiyoyin tsakanin abin da kake ji da abin da kake wasa.

Saukewa shine mafi ingancin motsa jiki na koyar da kunne don jazz. Zaɓi gajeren jumla daga rikodin Charlie Parker, Miles Davis, ko Lester Young. Sanya shi a hankali ta amfani da software ko aikace-aikacen motsa jiki. Yi la'akari da bayanan da kunne, ɗaya a lokaci. Rubuta su, raira su, sannan ka kunna su a kan kayan aikinka. Sauke kalmar zuwa mabuɗan biyu ko uku. Wannan aikin yana koya maka yaren jazz kai tsaye daga asalin.

Ka Gina Al'ada Mai Kyau

Aikin da ya dace, da aka tsara shi ne mabuɗin ci gaba. Ka sadaukar da akalla minti 30 a kowace rana don yin wasa, a ɓoye cikin sassan da aka mayar da hankali. Inganci ya fi yawa fiye da yawa minti talatin na ƙoƙari mai zurfi ya fi sa'o'i biyu na wasa mai ban sha'awa a kowane lokaci.

  • Warm-up (5 minutes): (FLT: 1) Long sautuna da kuma sikelin auna don inganta sautin da fasaha. mayar da hankali a kan daidaito na sauti da kuma m magana. Play a biyu octave babban sikelin a cikin kwata-kwata da sautin a hankali, mayar da hankali a kan kowane sautin ta kai hari da kuma saki.
  • Fassarar (minti 10): Karanta wani magana mai layi biyu zuwa hudu daga wani master solo. Ka raira shi, sannan ka kunna shi a maɓallan da yawa. Rubuta jumla aƙalla maɓalli ɗaya don ƙarfafa fahimtarka na tazara da sautin.
  • FLT:0]]Scale/Chord Drill (10 min): Zaɓi fasaha ɗaya (misali, sikelin blues ko arpeggios) kuma yi amfani da shi a kan waƙa ta baya ko metronome.
  • FLT:0 Creative Improv (5 min): Free improvisation a kan wani guda kirtani ko sauki ci gaba, mayar da hankali a kan yin kiɗa statements maimakon gudu a sikelin. Yi amfani da wannan lokaci don gwaji ba tare da hukunci. Ka yi kokarin wasa kawai uku da maki ga dukan minti biyar wannan tilasta ka ka gano rhythm, dynamics, da phrasing.

Yi amfani da mujallar don lura da abin da ya yi aiki da abin da ya ji rauni. A tsawon lokaci, ƙara tsawon ɓangaren haɓaka mai kirkira. Kafa takamaiman manufofi ga kowane mako, kamar "sauke kalmar yau zuwa maɓallan uku" ko "yi wasa da solo na blues ta amfani da sautin sauti kawai akan sautin downbeats. "

Matsaloli da Suka Shafi Mutane da Kuma Yadda Za a Shawo Kan Su

Masu farawa sukan fuskanci matsaloli da za su iya sa su sanyin gwiwa, amma jimiri da kuma dabarun da suka dace suna sa su yi nasara.

  • Ka tuna cewa yin wasa game da bincike ne. Kuskuren damar koyo ne. Rubuta kanka, yi dariya ga masu baƙo, kuma bincika abin da ya faru. Tambayi kanka: shin bayanin kula ya kasance kawai a waje da jituwa, ko kuma ba shi da tabbacin rhythmic? Wani lokaci "ba daidai ba" bayanin kula da aka buga tare da amincewa ya fi kyau fiye da bayanin kula "daidai" wanda aka buga cikin jinkiri.
  • Don samun ƙwarewa a cikin zane-zane: Ka guji yin amfani da ƙwarewa ta hanyar iyakance zaɓin sautinka da gangan. Yi amfani da sautin guda uku kawai don dukan waƙar. Wannan yana ƙarfafa kerawa. Za ka gano damar sautin da ba ka taɓa lura da shi ba a cikin waɗannan sautin uku. Wata hanyar: yi wasa ba tare da buga kowane sautin ba raira waƙa ko murmushi ka farko. Wannan yana ƙetare ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwar
  • Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti: Fitaccen sauti:
  • Rashin Tabbacin Rhythmic: Aikin motsa jiki tare da metronome a kan bugun 2 da 4 don kwaikwayon swing. Yi murmushi kafin kunna su. Fara da tsari mai sauƙi kuma a hankali ka haɗu a cikin haɗuwa. Aikin da ya dace: kunna bugun jini na kwata-kwata a kan wasa guda ɗaya na minti ɗaya, mai da hankali kan sa kowane bayanin kula ya yi rawar jiki. Sa'an nan kuma ninka lokacin ji tare da sautin takwas, kiyaye saurin shakatawa iri ɗaya. Tabbacin rhythmic yana ginawa a hankali yi haƙuri da kanka.

Ka yi amfani da wannan hanyar don ka yi wa mutane magana. Ka yi wa mutane wa'azi ko kuma ka nemi abokin tarayya. Yin wasa da wasu yana sa ka saurara da kuma yin aiki a ainihin lokacin. Ko da yin aiki tare a kan layi zai iya zama da amfani.

Sauraron Shawarwari da Muhimman Ka'idoji

Sauraron aiki ba zai yiwu ba. Ga kundin waƙoƙi guda biyar da kowane mai farawa ya kamata ya yi nazari. Saurari kowannensu aƙalla sau goma, yana mai da hankali kan wani abu daban a kowane lokaci.

  • Miles Davis Wani nau'i na Blue (modal, mai sauƙi) Ka mai da hankali ga yadda kowane mai raɗaɗi ke gina sanarwa mai daidaituwa ta amfani da iyakantaccen kayan jituwa. Ka lura da yadda Miles ke amfani da sarari da rashin faɗi.
  • John Coltrane Matakai masu girma (ka kalubalanci kunnenka tare da canje-canje masu sauri) Kada ka yi ƙoƙarin yin magana a kan wannan a farkon. Maimakon haka, ka mai da hankali kan yadda Coltrane ke kewaya cikin saurin motsawar jituwa.
  • Bill Evans Lahadi a Village Vanguard (trio interplay) Saurari yadda piano, bass, da kuma drum ke hulɗa a matsayin abokan tarayya. Ka lura da yadda Evans ke amfani da muryoyin sauti don ƙirƙirar motsi ba tare da takawa a kan mai raɗaɗi ba.
  • Charlie Parker Bird's Best Bop on Verve (FLT:1]] (harshe na bebop) Bayanan Bird shine misali na zinare don bambancin rhythmic da kirkirar waƙa.
  • Sonny Rollins Tenor Madness (ƙwarewar waƙa) Rollins ya shahara saboda haɓaka wata mahimmanci a cikin solo. Yi nazarin yadda yake canza ra'ayi ɗaya mai sauƙi a cikin tsari da kuma waƙa a cikin waƙoƙi da yawa.

Yayin da kake saurara, ka mai da hankali ga wani abu a kowane sauraro: layin bass, tsarin tafiyar mawaƙa, ko kuma yadda mawaƙa ke yin magana a kan gada.

Fara koyon waɗannan ƙa'idodin jazz na yau da kullun suna bayyana sau da yawa a zaman jam kuma suna da mahimmanci ga kowane mai haɓaka haɓaka:

  • Fitowa na Kaka
  • Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙar Ƙaramar Ƙaramar Ƙaramar Ƙaramar Ƙar Ƙaramar Ƙar Ƙaramar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙamar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙarar Ƙarƙara
  • Dukan Abubuwan da Kai
  • Ka ɗauki jirgin kasa
  • Yanzu Lokaci ne (blues)
  • To, menene (modeal)
  • Stella ta hanyar Hasken taurari
  • Ka taɓa saduwa da Miss Jones?

Don zane-zane na sauti da waƙoƙi masu wasa, iReal Pro (FLT: 0) wani app ne mai mahimmanci wanda ke ba ku damar yin aiki tare da sashin sautin kamala a kowane lokaci. Fara da jinkirin saurin (ƙaddara ta huɗu = 80100) kuma mai da hankali kan kunna sauƙi, layi mai sauƙi kafin haɓaka saurin. Sauri wani abu ne na saurin haske, ba burin kanta ba.

Ƙarshen

Jazz improvisation tafiya ce mai kyau wacce ke haɗuwa da ilimi, kerawa, da magana. Ta hanyar sarrafa sikelin, ƙaddamar da sautunan sauti, gwaji tare da sautin, da kuma yin aiki akai-akai, masu farawa zasu iya haɓaka muryarsu a cikin jazz. Ci gaba da sauraro, wasa, da bincika duniyar jazz tana da girma da cike da wahayi. Babu ƙarshen layi; kowane babban mai haɓaka ya kasance ɗalibi.

Ka tuna cewa makasudin ba shine a yi wasa da cikakkiyar solo a kowane lokaci ba, amma don sadarwa da labarin kiɗa. Kowane kuskure mataki ne, kowane rubutun ya lick sabon kalma. Ka kasance mai son sani, ka kasance mai tawali'u, kuma mafi mahimmanci, ka kasance cikin ƙauna da kiɗa. An gina al'adun jazz akan tsararraki na mawaƙa da suka koya daga waɗanda suka zo kafin yayin da suke ƙara muryar su. Yanzu kun kasance ɓangare na wannan al'adar. Don ƙarin karatu, Jazz a Lincoln Center [FLT: 0] yana ba da albarkatun ilimi kyauta da rikodin wasan kwaikwayon don zurfafa fahimtar ku. Ci gaba da wasa, ci gaba da sauraro, kuma ci gaba da girma.