Table of Contents

Me Ya Sa Za a Iya Yin Waƙar Jazz a Waya

Rhythm shine tushen rayuwar jazz. Duk da yake jituwa da waƙa suna samun haske a cikin nazarin haɓaka, shine kerawar da ke raba solo mai ban mamaki daga motsa jiki mai mantawa da shi. 'Yan wasan almara kamar Miles Davis da Sonny Rollins sun gina dukkanin ƙamus a kusa da daidaitattun maganganu masu saurin gaske. Haɗa bambancin sautin a cikin solo ɗinku yana canza zaɓin rubutu zuwa labaran kiɗa masu ban sha'awa. Wannan labarin yana ba da zurfin, ingantaccen taswirar hanya don yin sautin kayan aikin ka na farko na magana wanda ke gano mahimman ra'ayoyi, fasahohi, tarkuna don kaucewa, da motsa jiki don haɓaka waɗannan ƙwarewar har abada.

Fahimtar Matsayin Rhythm a Cikin Jazz Improvisation

Jazz rhythm yana da tushe a cikin swinga lilting, motsawa ji wanda ya kalubalanci tsananin rubutu. Amma bayan swing, bambancin rhythmic yana haifar da tsari, mamaki, da kuma yanayin motsi. Yi la'akari da yadda John Coltrane a cikin Giant Steps yayi amfani da motsi mai saurin motsawa don karfafa tashin hankali na jituwa, ko kuma yadda Thelonious MonkFLT:3 ya yi amfani da sautunan waje don sanya kowane jumla alama. Ba tare da bambancin jituwa ba, har ma da ilimin jituwa mafi ƙwarewa zai iya zama mara ƙaranci.

Me Ya Sa Sa Saɗauki Ya Fi Muhimmanci Fiye da Saƙo

A cikin wasan kwaikwayo na jazz na yau da kullun, masu sauraro suna tuna da ayyukan rhythmic - hutu na kwatsam, rikicewar rikitarwa, wani dalili da aka maimaita tare da sauya sautunan da aka sake maimaitawa fiye da takamaiman sautunan. Rhythm yana haifar da amsa ta jiki: taɓawa ƙafa, kai da kai. Ta hanyar sarrafa bambancin rhythmic, kuna shiga masu sauraro a matakin visceral. Wannan ba game da rikitarwa ba ne don kansa; yana da game da niyyar bayar da labari mai ladabi.

Abubuwan da ke Shafan Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin

Kafin ka bincika fasahohin da suka ci gaba, ka tabbata ka fahimci waɗannan muhimman ra'ayoyin. 'Yan wasa da yawa suna yin hanzari su wuce abubuwan da suka dace, hakan yana sa su ji kamar lokaci bai dace ba kuma suna yin magana da ba su dace ba.

Rarraba da Ƙarfin Cikin

Raba shi ne rarraba bugun jini zuwa ƙananan raka'a: maki na takwas, maki na takwas, maki na goma sha shida, da kuma bayan. Masu haɓaka jazz dole ne su ji kuma su ji sassan cikin sauƙi. Yi ƙididdigar ƙarar yayin da kuke tabawa: 1 + 2 + 3 + 4 + don maki na takwas 1 + a 2 + a 3 + a 4 + a don maki na goma sha shida 1 trip-let 2 trip-let 3 trip-let 4 trip-let don triplets Internalizing waɗannan ƙirar yana ba ku damar canzawa tsakanin su cikin sauƙi a tsakiyar magana.

Ƙarfafawa Ƙarfafawa

Syncopation shine yin magana game da rauni (beats 2 da 4) ko ƙananan rabuwa (and na bugun jini). Jazz yana bunƙasa akan syncopation saboda yana haifar da ci gaba da tashin hankali da tashin hankali akan bugun jini. Misali na gargajiya: kunna gajeren magana wanda ya fara da and na bugun jini 1, yana ƙarewa a bugun jini 2. Tasirin shine tsalle-tsalle, saurin motsawa. Louis Armstrong ya fara wannan hanyar a farkon solo, kuma ya kasance mai mahimmanci.

Polyrhythm da Cross-Rhythms

Polyrhythm ya ƙunshi sanyawa biyu ko fiye da nau'ikan rhythmic daban-daban a lokaci guda. A cikin jazz, polyrhythms na yau da kullun sun haɗa da 3 a kan 4 (suna wasa da sautin guda uku daidai da ma'aunin bugun jini huɗu) da 5 a kan 4.

Hanyoyin da ke da kyau Ginin gine-gine na solo

A rhythmic motif ne gajeren, bambancin rhythm maimaita da kuma ci gaba. Motif-tushen improvisation gina jituwa da kuma sa ka solo memorable. Dizzy Gillespie sau da yawa amfani da syncopated takwas-nuffance motif a Salt Peanuts. A cikin aikinka, ƙirƙirar biyu-beat rhythmic cell da kuma maimaita shi a daban-daban sautin matakan, sa'an nan kuma canza wurinsa a cikin ma'auni (motsa) ko canza daya da sautin.

Ƙwarewar Fasaha don Canjin Rhythmic

Yanzu muna faɗaɗa fiye da ainihin ra'ayoyin zuwa fasahohin da za su bambanta wasanku. Ka haɗa waɗannan a hankali; kowannensu yana bukatar lokaci don jin na halitta.

Matsayi da kuma Tsarin Matsayi

Sauyawa yana nufin sauya jimla da wuri ko daga baya ta hanyar bugun jini ko rabin bugun jini. Misali, kunna wani lace na yau da kullun wanda ya fara da bugun jini 1; sannan fara lace iri ɗaya akan and na 1. Wannan sauyi mai sauƙi yana sake daidaita jituwa kuma yana haifar da mamaki.

Ostinatos na Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙ

Ostinato wani tsari ne mai maimaitawa. A cikin solo, zaku iya nuna ostinato ta hanyar maimaita sautunan ko kwords, ƙirƙirar aljihu wanda sauran ƙungiyar zasu iya amsawa.

Bayanan Ru'ya da Magana

Ghost notes barely audible, percussive sounds add texture da rhythmic nuance. A saxophone ko ƙaho, ana ƙirƙirar bayanan fatalwowi ta hanyar rabin bawul ko sarrafa numfashi. A piano ko guitar, suna da haske, staccato taps. Haɗa bayanan fatalwowi tare da sautin da aka yi da ƙarfi don ƙirƙirar kira da amsa mai saurin sauti a cikin jumla guda.

Rashin da Kuma Wurin Zama a matsayin Na'urorin Ruwa

Shiru ba komai baneshi zabi ne na rhythmic. Hutu na dabarun na iya sa sa sa bayanan da ke gaba suyi ƙarfi, haifar da tashin hankali, ko kwaikwayon maganganun tattaunawa. Miles Davis ya kasance maigidan sararin samaniya; shi kadai a kan Don haka Menene yana amfani da doguwar hutawa don gina tsammanin. A cikin aikinku, tilasta kanku ku saka hutu na tsawon lokaci daban-daban (ƙara ɗaya, bugun biyu, rabin bugun) tsakanin maganganu. Rubuta kuma saurara; za ku ji yadda sararin samaniya ke tsara labarin.

Canjin Hanyoyin Hanyoyi

Haɗa motsi tare da sautin yana ninka tasirin magana. Maganar da aka yi amfani da ita a cikin syncopated magana da aka buga a kan piano yana da sakamako daban-daban fiye da wannan magana da aka buga a kan piano. Gwada wannan: wasa mai sauƙi mai sauƙi da ƙarfi, sa'an nan kuma a hankali, sannan tare da crescendo ta hanyar abin da ya faru.

Hanyoyi Masu Amfani da Za a Yi Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Sa Sa Sa Sa Saurin Saurin Sa Sa Sa Sa Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Sa Sa Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin Saurin

Sanin fasaha bai isa ba dole ne ka saka su cikin ƙwaƙwalwar ƙwaƙwalwar ƙwaƙwalwa da kunne.

Ka Yi Amfani da Metronome da Kyau

Yawancin mawaƙa suna amfani da metronome don saurin gudu, amma kuma yana iya zama kayan aiki don motsawa mai saurin gudu. Gwada wannan: saita metronome zuwa rabin lokaci (danna bugun 2 da 4). Inganta, da nufin sauko da ƙarfi mai ƙarfi a kan dannawa lokaci-lokaci. Wannan yana gina 'yancin kai daga bugun jini. Wani motsa jiki: saita metronome zuwa uku na takwas-nufa kuma kunna madaidaiciyar layi na takwas-nufa. Haɗuwa yana tilasta muku daidaita maganganun.

Ka Rubuta Abubuwan da Za Su Iya Saukowa, Ba Kawai Bayanan Bayani Ba

Lokacin da kake rubuta waƙoƙin jazz, ka fara mai da hankali kan sautin: yi murmushi ga sautin solo ba tare da ƙara ba. Rubuta bayanin sautin. Nazarin inda syncopation ke faruwa, tsawon lokacin da ya huta, da kuma ko abubuwan da suka faru sun maimaita. Sannan koyi sautin bayan haka. Wannan ya sauya hankalin ku zuwa tsarin sautin da ke tallafawa waƙar.

Ƙirƙirar Ƙarfafawa

Zaɓi wata hanya ta rhythmic guda ɗaya (misali, biyu goma sha shida sannan ta takwas). Yi amfani da dukkanin blues na 12-bar ta amfani da wannan hanyar, sautunan da ke bambanta da kuma maganganu na lokaci-lokaci. Sa'an nan kuma maimaita tare da wata hanya daban. Wannan yana haɓaka ƙwarewa wajen haɓaka ra'ayoyin rhythmic. Hakanan zaka iya misplace da yanayinfara shi a kan bugun jini daban-daban a cikin maimaitawa.

Ka Yi Wasa Tare da Wuraren Ƙarfafawa a Lokaci dabam dabam

Yi amfani da waƙoƙin baya ko iReal Pro don yin aiki da canjin sautin a cikin jinkirin, matsakaici, da sauri. A cikin jinkirin sautin (misali, 60 bpm), kuna da sarari don gwaji tare da ƙananan ƙananan sautin goma sha shida da triplots. A cikin saurin saurin, mai da hankali kan sanya hutawa da daidaitawa mai sauƙi. Rubuta kanka kuma kwatanta yawan sautin tsakanin ɗauka.

Ka Yi Waƙar Murmushi Kafin Ka Yi Wasa

Kafin ka taɓa kayan aikinka, ka yi murmushi game da wani magana mai saurin sauti da kake son wasa. Sa'an nan kuma ka raira waƙa da shi tare da magana da kuma motsa jiki. Da zarar ya zama na halitta, canja shi zuwa kayan aikinka. Wannan yana hana yatsanka daga sauka zuwa tsarin yau da kullun.

Ka Yi Nazarin Tsarin Ruwa Daga Wasu Al'adu

Ƙara ƙamus na yau da kullum fiye da jazz. Yi nazarin tsarin haruffan afro-Cuban, sake zagayowar tala na Indiya, polyrhythms na Afirka ta Yamma, da kuma sautin samba na Brazil. Ko da shan jin daɗin tsarin 5/4 kamar wanda aka yi amfani da shi a cikin Dave BrubeckTake Five zai iya haifar da sabon magana.

Tsananin da Ake Shafawa Da Yadda Za a Guje Su

Ko da masu yin waƙar da suka ƙware suna faɗa cikin tarkon sa'ad da suke bincika bambancin da ke cikin sautin.

Yin Abu Mai Maɗaukaki Ba tare da Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙar

Har ila yau, sautin da ke da wuya ya kamata ya yi tasiri. Idan ka sanya sautin da ke da yawa ko kuma motsawa ba tare da ƙarfin bugun jini ba, solo zai iya zama mai ban sha'awa da kuma tauri. Koyaushe ka riƙe ƙafa ɗaya a cikin aljihutap ƙafa, ka yi da kai. Idan ra'ayin ka na sa ka rasa lokaci, sauƙaƙe har sai ka iya buga shi tare da cikakken lokaci, sannan a hankali ƙara rikitarwa.

Yin watsi da Sashen Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙar

Bambancin rhythmic ba aiki ne na solo ba, yana da tattaunawa. Saurari tsarin cymbal na drummer, dan bassist yana tafiya, dan piano yana waƙa. Maganar magana da aka haɗa da haɗuwa da babban hat zai iya zama mai tasiri sosai; wanda ya yi yaƙi da groove na iya zama bazuwar. Yi aiki tare da sashin rhythm (live ko rikodin) kuma ku yi niyyar ƙirƙirar haɗuwa mai sauƙi, ba rikici ba.

Rashin Kula da Hanyoyin Ƙasa

Bambancin rhythmic ba tare da bambanci mai ban sha'awa ba kamar hoton baki da fari ne mai ban sha'awa amma iyakance. Haɗa tsarin ka tare da crescendos, karin magana, da kuma lokacin pianissimo na kwatsam. Wannan yana ƙara girma da nauyi na motsin rai.

Yin maimaita Ra'ayin Da Ya Dace Sau da Sau

Duk da yake ci gaban motsi yana da kyau, amfani da tsarin rhythmic guda ɗaya yana sa solo ya zama mai yiwuwa. Bayan bayyana wani motsi, canza shi ta hanyar canza tsawon bayanin kula, saka hutu, ko sauya ma'anar. Saurari yadda Dexter Gordon ya haɓaka sel mai saurin sautin guda ɗaya a cikin ƙungiyar mawaƙa, koyaushe yana nemo sabbin permutations.

Ka Ƙara Yin Abubuwan da Suka Sa Ka Yi Jaraba

Don ka sa waɗannan hanyoyin su zama na dindindin, ka haɗa motsa jiki na yau da kullum cikin aikinka na motsa jiki da kuma yin gyara.

Yadda Za a Warm Up (minti 5)

  • Ƙungiyoyin ƙidaya da ƙidaya: kwata, takwas, uku, goma sha shida (2 min)
  • Yi wasa a cikin madaidaicin sikelin (C mai girma) ta amfani da ƙididdigar huɗu kawai, sannan ƙididdigar takwas, sannan triplines, sannan ƙididdigar ƙididdigar takwas (daidaita akan da) (minti 3)

Ƙarfafa Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar Ƙa'idar

  • Zaɓi fasaha guda ɗaya (misali, motsawa). Yi aiki a kan ci gaba na ii-V-I na minti 2, da gangan yana motsa kowane jumla ta uku.
  • Sauke sautin daga kawai sanduna 4 na solo na Clifford Brown ko Sonny Rollins.
  • Ƙirƙiri wani motsi mai saurin 4-bar kuma ci gaba da shi ta hanyar: maimaitawa a matakan sautin daban-daban, motsawa, haɓaka sautin (biyan nau'i biyu), da rage sautin (rabin sautin rabin).

Yadda Za a Yi Amfani da Shi a Yanayi (minti 5)

  • Yi wasa tare da waƙa ta baya (blues ko canje-canje a cikin sautin). Ka mai da hankali ne kawai akan nau'in sautin rhythmicka manta da zaɓin jituwa. Yi amfani da hutawa, syncopation, da ra'ayi ɗaya na polyrhythmic (misali, sautin uku a kowane bugun don bar ɗaya).
  • Ka rubuta kuma ka yi ba'a nan da nan: Shin ka riƙe lokaci? Shin ra'ayoyin da ke cikin sautin suna da niyya ne? A ina za ka iya ƙara ƙarin sarari?

Jerin Sauraro Masanan Canjin Sautin

Ka koya wa kunnenka ta wajen nazarin waɗannan waƙoƙin da aka rubuta. Ka saurari nazari. Ka mai da hankali ga sautin farko, sa'an nan kuma waƙa da jituwa.

  • Charlie Parker Ko-Ko (1945): Kyakkyawan amfani da syncopation na takwas da kuma triplets.
  • Miles Davis Don haka Menene (1959): Makarantar Jagora a sararin samaniya da magana.
  • John Coltrane (FLT: 1) Giant Steps (1960): Rashin motsi na rhythmic a cikin canje-canje masu saurin jituwa.
  • Sonny Rollins (FLT: 1) St. Thomas (F.L.T.: 1956): Ostinato-tushen ci gaban rhythmic motsi.
  • Thelonious Monk (FLT: 1) Straight, Babu Chaser (FLT: 0): Ba a iya hango shi ba da kuma tattalin arziki mai saurin gaske.
  • Wayne Shorter Shugaban sawun ƙafa (1966): Tsarin daidaitawa da juyawa-juyawa.

Don albarkatun waje, bincika FLT:0 Learn Jazz Standards FLT:1 don rubutun solo da kuma FLT:2 Jazz Guitar Lessons FLT:3 don motsa jiki na rhythmic wanda aka tsara don guitarists.

Ra'ayoyin Ƙarshe Ka Saita Sautinka

Bambancin rhythmic ba kayan ado bane. shi ne babban hanyar ingantaccen jazz. Ta hanyar shiga cikin ƙananan sassa, syncopation, motsawa, da polyrhythms, da kuma ta hanyar yin aiki da gangan tare da mai da hankali kan jin lokaci da sarari, zaku haɓaka murya mai ban mamaki da mai jan hankali. Tafiya tana buƙatar haƙuri: saurin sautin yana ɗaukar watanni na horar da kunne da motsa jiki. Amma sakamakon yana da girma. Solos ɗinku ba za su zama jerin sautin ba amma suna rayuwa, numfashin tarihin da ke motsa ku da masu sauraro. Fara yau da sabuwar fasaha wataƙila wasa da hutawa ko murmushi da polyrhythmkuma gina daga can. Ruwa yana jira.