Table of Contents

Masanin ƙwarewar ƙwarewa a kan trombone yana da mahimmanci ga kowane mai magana da magana da magana da nufin haɓaka maganganun kiɗa da ƙwarewar fasaha. Articulation yana nufin yadda aka fara, haɗi, da kuma rabuwa da bayanan, wanda ke da tasiri sosai ga bayyanar da salon kunnawa. Ko kuna magance saurin wucewa, sautin da ya dace, ko ƙarancin salo, haɓaka iko akan maganganu daban-daban na iya canza aikinku. Wannan labarin yana ba da jagora mai zurfi don fahimta, aiki, da shawo kan ƙalubalen maganganu mafi yawa akan trombone, tare da motsa jiki da dabaru na musamman waɗanda zaku iya amfani dasu nan da nan.

Fahimtar Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ

An sarrafa haɗin gwiwa a kan trombone da farko ta hanyar hulɗa da motsin harshe, iska, da daidaitawar slide. Duk da yake mahimmin ra'ayi mai sauƙi ne fara da dakatar da bayanan rubutuaiki ya bambanta sosai dangane da tasirin da ake so. Haɗuwa na yau da kullun sun haɗa da legato, staccato, marcato, tenuto, da sautin da aka jaddada, kowannensu yana buƙatar haɗuwa da takamaiman sanya harshe, saurin iska, da kwanciyar hankali na ƙofar. Kafin yin aiki akan maganganu masu wahala, yana da mahimmanci a gina tushe mai ƙarfi a cikin fasahar magana ta asali da fahimtar aikin injiniyar ilimin lissafi.

Hanyar Yin Magana da Harsuna: Ka Yi Bincike Mai zurfi

  • Legato: (FLT: 1) Yi amfani da layin dah mai laushi ko lah don ƙirƙirar sautin da ke da alaƙa. Harshen ya kamata ya katse iska, yana ba da damar sauti ya ci gaba ba tare da matsala ba ta hanyar canje-canjen sautin.
  • Staccato: Yi amfani da gajeren, mafi saurin magana tah layin rubutu don raba sautunan a fili. Mabuɗin shine yanke sautin da sauri bayan magana, ta amfani da harshe don dakatar da iska kwatsam. Kiyaye tsawon sautin gajere amma iska ta tallafawa don kauce wa rauni, numfashi sauti. Yi aiki da staccato a kan maimaita sautunan don haɓaka ƙarancin haske.
  • * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
  • Harshe biyu: Zaɓi tsakanin tah da kah don bayyana saurin ɓangarori yadda ya kamata. Harsunan kah ana samar da su ne daga bayan harshe, wanda zai iya zama mafi rauni fiye da gaban tah.
  • Tattalin Arziki: Yi amfani da ƙirar kamar tah-tah-kah ko tah-kah-tah don bayyana jerin saurin sautin sautin, sau da yawa a cikin mita mai haɗari ko saurin saurin saurin saurin sa. Halin harshe mai sau uku yana da mahimmanci ga saurin wucewa da jazz solo. Gina saurin hankali ta amfani da metronome, tabbatar da cewa dukkan syllables uku suna da haske daidai.

Yadda Za a Yi Fuskantar Wani Kusan

Harshen ya fara kafin harshe ya motsa. Harshe baya haifar da sauti; kawai yana sakin iska da aka gina a bayansa. Shirya bakinka, yi numfashi sosai, kuma sanya harshe a hankali a kan rufin bakin kusa da hakora (ƙauyen alveolar). Yankin harshe ya kamata ya kasance mai nutsuwa amma daidai. Yayin da kake sakin harshe, ya kamata kwararar iska ta kasance mai daidaito da mai da hankali. Matsaloli na yau da kullun sun haɗa da amfani da matsin harshe da yawa (yana haifar da thud ko pop) ko kaɗan (yana haifar da ɓarna ko jinkirin farawa). Yi amfani da hare-hare a kan sautin guda ɗaya, yana canza saurin da amo yayin sauraron ingancin farawa.

Matsalolin Ƙarfafa Magana

Wasu haɗin gwiwa suna da ƙalubale a kan trombone saboda tsarin slide na kayan aiki da buƙatar ainihin lokaci tsakanin harshe da motsi na slide. Slide yana gabatar da rikitarwa ta musamman: dole ne harshen ya isa daidai a daidai lokacin da slide ya isa sabon matsayinsa. Idan ɗayan sassan ya yi wuri ko marigayi, haɗin zai yi sauti mara kyau ko "m.

Matsaloli na Ƙari Sun haɗa da:

  • Yin aiki tare da harshe da motsi na slide a cikin hanyoyi masu sauri, musamman lokacin motsawa tsakanin sassan da ke buƙatar daidaita manyan hannayen slide.
  • Tsayawa da kai hare-hare a kan sautin da ba a fahimta ba ko kuma a kan sautin da aka yi magana, musamman ma a lokacin da kake canja daga kalmar da ba a fahimta ba zuwa kalmar da ba a fahimta ba.
  • Yin amfani da harshe sau biyu da uku ba tare da yin taƙaitawa a cikin wuya, baki, ko kafadu ba.
  • Gudanar da iska don kauce wa hare-haren iska ko mummunan.
  • Kula da haɗin kai a cikin matakai daban-daban da kuma rajista. Abin da ke aiki a cikin matsakaici na iya aiki a cikin ƙananan ko babban rajista saboda canje-canje a cikin iska tsayayya da kuma matsa lamba na embouchure.
  • Ƙarƙashin da aka yi a kan tsalle-tsalle na tsawon lokaci, inda slide dole ne ya motsa da sauri kuma harshe dole ne ya daidaita da daban-daban iska bukatun ga sabon pitch.

Hanyoyi don Yin Hanyar Yin Magana da Ya Dace

Ƙara ƙwarewar magana yana farawa da yin motsa jiki da kuma yin amfani da halaye masu kyau.

1. Ka Yi Koyarwa a Hannu a Hannu

Fara da yin aiki a hankali, yana mai da hankali kan magana mai kyau da kuma daidai. Yi amfani da metronome don kiyaye daidaituwa da sauri kuma a hankali ƙara saurin kawai da zarar an sami daidaito. Slow motsa jiki yana ba kwakwalwarka da tsokoki damar haɓaka daidaitaccen aiki tsakanin harshe da zamewa. Kuskuren da aka saba yi shi ne yin aiki da sauri a cikin saurin amma tare da lalataccen magana, yana ƙarfafa munanan halaye. Maimakon haka, yi wasa a cikin saurin da kowane sautin yayi magana a hankali ko da yake yana jin dadi mai ban dariya. Alal misali, idan an yi alama a kwata sautin = 120, fara a 60 ko ma 40.

2. Ka ware yin amfani da harshen daga motsi na slide

Yi motsa jiki na harshe a kan matsayi na slide guda ɗaya ko maimaita bayanan rubutu don mai da hankali kan sanya harshe da lokaci. Wannan yana taimakawa wajen haɓaka ƙwaƙwalwar tsoka da amincewa da haɗin kai kafin haɗuwa da shi tare da canje-canjen slide. Misali: FLT: 0 Play a cikin babban B-flat (hannun farko) da harshen goma sha shida a cikin saurin daban-daban, kiyaye sautin daidaitacce.

3. Ka Yi Amfani da Harsunan da Suka Yi Maka Amfani

Duk da yake dah da tah suna da haruffa na yau da kullun, wasu 'yan wasa suna ganin wasu haruffa kamar da,ta,la, ko ga sun fi dacewa. Yi gwaji tare da haruffa daban-daban don gano abin da ke samar da tsabta da kuma mafi kyawun magana don salon wasan ku. Babu wani abu mai dacewa da kowa. Misali, wasu masu wasan trombonists sun fi son du don legato saboda yana ba da damar harshe ya kasance ƙasa a cikin bakinsa, yana rage tashin hankali. Don staccato, tut ko tat na iya samar da karin haske. Don yin harshe biyu, wasu 'yan wasa suna amfani da gu maimakon ku don harshe na baya, yana da sauƙi a sarrafa. Rubuta kanka tare da haruffa daban-daban kuma kwatanta bayyananniya da sauƙi.

4. Ka Yi Yin Magana Sau Biyu da Sau Uku a Ɗaya

Halin harshe guda biyu da na uku suna buƙatar maye gurbin harshe a babban gudu. Yi waɗannan dabaru a hankali kuma a hankali ƙara saurin, mai da hankali kan daidaito da tsabta. Harkokin harshe ba tare da trombone ba, kamar maimaita syllables tah-kah ko tah-tah-kah, na iya zama da amfani. Ga tsarin yau da kullun: FLT:0 FLT:1 FLT:2 Fahon 1: FLT:3 Fuskar tah-kah-tah- a cikin saurin magana mai sauƙi a cikin saurin magana mai sauƙi. FLT: FLT: FLT: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T: T:

5. Ka Ci Gaba da Ƙarfafawa a Cikin Jirgin Sama

Yana da muhimmanci a yi amfani da iska mai ƙarfi da kuma daidaitaccen iska don daidaitaccen magana. Ka guji cizon ko ƙuntatawar ƙuƙwalwarka, wanda zai iya ƙuntata iska kuma ya haifar da mummunan hari. Ayyukan numfashi da dogon sautin na iya taimakawa wajen haɓaka daidaitaccen numfashi. Wani motsa jiki mai amfani: kunna dogon sautin kuma yi aiki da haɗin gwiwa daban-daban (legato, staccato, marcato, da sauransu) ba tare da canza saurin iska ba. Ya kamata iska ta kasance daidai; kawai motsin harshe ya canza. Idan kuna jin buƙatar punch iska don marcato, tabbas kuna amfani da ƙarfin ciki da yawa. Madadin haka, kiyaye saurin iska mai sauri, daidaitaccen iska kuma ku yi magana da harshe kawai. Wani tip: numfashi mai zurfi yana tallafawa dogon magana a cikin nono, ba ƙananan numfashi ba.

6. Ka haɗa koyarwar yin magana da juna cikin aikin yau da kullum

  • Harsunan harshe guda ɗaya suna maimaitawa a cikin saurin da motsi daban-daban (pp, mf, ff) a kan sautunan da yawa a cikin zangon.
  • Sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sa
  • Matsakaicin matakai ta amfani da harshe biyu da uku a cikin ƙara tempo, ko da yaushe tare da metronome.
  • Ayyukan motsa jiki na motsa jiki da ke mayar da hankali ga hare-haren da aka saki: kunna waƙa, riƙe, sannan a saki ba tare da wani karin magana ba a ƙarshen.
  • Harkokin motsa jiki: harshe yana yin manyan tsalle (misali, tsakiyar B-flat zuwa ƙananan F, sannan zuwa babban D) yayin da yake kula da kai hari mai tsabta. Wannan yana kwaikwayon bukatun ƙungiyar mawaƙa da na solo.

Ƙididdiga a cikin Littattafai dabam dabam

Daya daga cikin abubuwan da aka fi mantawa da su na magana da magana da magana na trombone shine yadda motsin harshe guda zai iya samar da sakamako daban-daban a cikin rajista daban-daban. A cikin rijistar ƙasa, iska tana buƙatar zama mai jinkiri da girma; mummunan hari na iya haifar da bayanin kula don blat ko rasa cibiyar sautin. Yi amfani da layin rubutu mai laushi kamar dah ko ma lah don kiyaye ƙananan bayanan sautin. A cikin rijistar mafi girma, iska dole ne ta kasance mai sauri da mai da hankali; staccato tah yana aiki da kyau, amma ku yi hankali kada ku taɓa ƙofar. Yi aiki da magana a kan dogon sautin a cikin iyakar sautin ƙafar ƙafa da babban F don horar da kunnen ku da ƙofar don samar da ƙofar ƙofar. Yawancin 'yan wasa masu ƙwarewa don haɗa haɗin kai-daida a cikin rijistar su, suna haifar da rashin daidaito a cikin aikin.

Ƙididdiga Masu Yawa Game da Ƙarfafa Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin

Tasiri na 1: Aikin magana game da harshe ne kawai. A gaskiya, harshe kawai yana sakin iska. Ruwa, ƙofar, da lokacin zamewa suna da mahimmanci. Yawancin matsalolin articulation a zahiri matsalolin tallafin iska ne.

Labari na 2: Harshe mai sau biyu yana buƙatar harshen da sauri. Sauri ya fito ne daga daidaitaccen aiki, ba ƙoƙarin motsa harshen da sauri ba.

Tasiri na 3: Ya kamata koyaushe ku yi amfani da haruffa iri ɗaya. Sauƙin aiki yana da mahimmanci. Mai ƙwarewar trombonist yana daidaita haruffa bisa ga salo, rajista, motsi, da tsawon magana.

Tasiri na 4: Staccato yana nufin gajere sosai, ba tare da la'akari da salon ba. Tsawon staccato ya bambanta dangane da lokacin tarihi da mawaki. A cikin kiɗa na Baroque, staccato na iya zama ɗan gajeren lokaci; a cikin rubutun ƙungiyar mawaƙa na soyayya, yana iya zama mai matsakaici. Saurari rikodin masu daraja kuma bincika tsawon magana. Yi amfani da metronome kuma yi aiki da tsayin staccato daban-daban (ƙididdigar takwas, goma sha shida, da sauransu) don haɓaka iko.

Haɗa Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ

Ayyukan fasaha suna da mahimmanci, amma burin ƙarshe shine a yi amfani da ƙididdigar tsabta a cikin kiɗa na ainihi. Zaɓi wani yanki ko ƙirar da ke ƙunshe da alamun ƙididdiga daban-daban. Yi aiki da shi kamar yadda ake yin horo a cikin ɓoye: kunna hanyar a hankali, ware sauye-sauyen ƙididdiga mafi wuya, kuma yi aiki da su azaman madaukai daban-daban. Misali, idan wani yanki ya canza tsakanin sautin da aka yi da harshen, cire wannan ƙirar sautin biyu kuma maimaita shi sau da yawa, a hankali ƙara ƙarin sautin. Saurari rikodin ƙwararren yanki don jin yadda masanin trombonists ke sarrafa sautin maganaka lura da lokacin su, sanya ma'ana, da amfani da iska.

Ƙarin Nasihu don Nasara

  • Yi amfani da madubi: kallon wurin da harshenka yake iya taimakawa wajen tabbatar da motsi mai kyau da guje wa tashin hankali. Duba cewa goshinka da jaws sun kasance masu nutsuwa; motsi mara amfani a can yana canjawa zuwa harshe.
  • Rijistar kanka: Rijistar baya na iya bayyana maganganu marasa kyau ko lokaci mara kyau wanda ba ku lura da shi yayin wasa. Yi amfani da aikace-aikacen rikodi mai sauƙi kuma sake nazarin zaman horo.
  • Ka kasance mai nutsuwa: Tensiyon a cikin jaws, harshe, ko wuya na iya hana saurin magana da bayyananniyar magana. Kafin wasa, yi motsa jiki mai sauƙi: mirgine kafadu, sauke jaw, kuma numfashi mai zurfi. Idan ka ji tashin hankali yayin saurin magana, dakatar da sake saitawa.
  • Aiki tare da malami: A gwani malami iya samar da keɓaɓɓen feedback da kuma gyara da fasaha, musamman ga subtleties kamar harshen sanya da iska gudun da suke da wuya a ganewa da kansa.
  • Yi haƙuri: Ci gaba da haɗin gwiwa mai wahala yana ɗaukar lokaci da aiki mai ɗorewa. Ko da masu wasan kwaikwayo na yau da kullun suna kashe wani ɓangare na al'adarsu ta yau da kullun akan kula da haɗin gwiwa.
  • Yi amfani da kayan aiki masu inganci: A cikin gida mai kyau da kuma trombone (slide mai santsi, bawul mai kyau idan an haɗa shi da F) zai iya rage juriya kuma ya sa haɗin gwiwa ya zama mai tsabta. Yi la'akari da tuntuɓar mai fasaha na tagulla idan kuna zargin matsalolin inji.

Ƙarshen

Yin aiki da maganganu masu wuya akan trombone yana buƙatar haɗuwa da tushe mai ƙarfi na magana, iska mai ɗorewa, da motsa jiki mai ma'ana. Ta hanyar karya ƙalubale, keɓe matsaloli, da kuma haɓaka saurin da daidaito a hankali, zaku iya sarrafa ko da mafi ƙarancin ɓangarori. Ka tuna ka kasance mai nutsuwa, yi amfani da kalmomi masu tasiri, da haɗa motsa jiki na magana cikin aikin yau da kullun don ganin ci gaba mai ci gaba. Don ƙarin karatu, bincika albarkatu kamar su Labarin Yanagisawa Wind akan maganganun trombone, Jagorar Duniya kan maganganun tagulla, da fasahar maganganun tagulla ta Schmitt Musik. Bugu da ƙari, ƙarfin gwiwa na Trombone: 5T: 7T: 7T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: 5T: