Table of Contents

Yadda Ake Yin Wasa da Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙ

Masanin rubutun mawaƙa ƙwararru ƙalubale ne ga kowane ɗan ƙaramin mawaƙa mai ƙwarewa wanda ke neman sana'a. Aikin fasaha mai ƙwarewa daidai da sauti, sautin tsabta, da kuma magana mai amincisasa tushe ne na sauraro mai nasara ko wasan kwaikwayon. Duk da haka, aikace-aikacen tunani ne na fasahar magana wanda ke raba mai kunnawa mai ƙwarewa daga mai zane mai ban sha'awa. Yin magana mai faɗi yana canza jerin bayanan zuwa bayanin kiɗa, yana isar da motsin rai, labari, da salo. Don ƙananan kayan mawaƙatrombone, bass trombone, euphonium, da tubainfusing rubutun da nuance yana buƙatar ƙwarewa da gangan, zurfin binciken ƙididdiga, da kuma sanin mahallin mawaƙa. Wannan labarin yana ba da cikakken taswirar hanya don haɗa fasahar magana cikin ƙarancin mawaƙa mai sauraro, yana taimaka muku ƙwarewa da ƙwarewa da ƙwarewa tare da masu haɓaka sauraro.

Fahimtar Matsayin Fasaha ta Nuna Nuna Nuna Ƙauna a Ƙungiya

A cikin ƙananan ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙirar ƙira ƙirar ƙirar ƙira ƙirar ƙira ƙirar ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira ƙira

Ana yin hukunci da rubutun waka ba kawai akan daidaito ba har ma da kiɗa. Kwamitin sauraro yana tsammanin 'yan takara su nuna fahimtar salo da mahallin motsin rai. Wani rubutun da aka buga cikakke ba tare da magana ba na iya zama mai santsi da rashin rinjaye. Akasin haka, fassarar da ke amfani da nau'i mai ƙarfi, bayyana bayyananniya, da kuma maganganu masu tunani yana nuna balaga na kiɗa da shirye-shiryen aiki a cikin ƙungiyar mawaƙa. Ci gaban waɗannan ƙwarewar yana buƙatar canji a tunanin: daga kawai sake buga bayanan rubutu zuwa yin magana da aiki ta hanyar kayan aikinka.

Ƙididdigar Ƙididdigar Ƙididdiga

Don haɗa fasahar bayyanawa yadda ya kamata, dole ne ku fahimci aikin kowane ɓangaren da yadda za ku sarrafa shi a aikace.

Ƙarfafawa: Yin Gyara Yanayin Kiɗa

Dynamics ne hanya mafi kai tsaye don ƙirƙirar bambanci da wasan kwaikwayo. Low lasifikan dole ne su mallaki fadi da kewayon dynamic range daga wuya ji pianoississimo to m FLT:2fortississimo yayin da rike m sautin ingancin. Yi amfani da cikakken bakan nuna a cikin waƙoƙi, amma kuma tsinkaya bukatun da orchestra. Alal misali, a tuba FLT:4forteFLT:5 a cikin tutti passage zai nuna daban-daban daga a trombone FLT:6forte:7 a cikin solo.

Aikin: Ka ware jimlar sanduna huɗu daga wani sashi. Ka kunna shi a matakai uku daban-daban ( piano , mezzo-forte , forte ), kiyaye duk sauran dalilai masu daidaituwa. Sa'an nan kuma ƙara crescendos da decrescendos a cikin jimlar, a hankali ƙara yawan canji. Rubuta da saurara don daidaitaccen ƙarfin sautin sautin. Ka mai da hankali sosai ga fanni na piano [[TFL:9]]Wannan shine inda sautin yakan sha wahala. Yi amfani da bayanin kula don kiyaye kwanciyar hankali yayin da ƙara ya canza.

Ƙa'idar da Ta Yi: Daidaitacce da Kuma Halin

A cikin ƙananan ƙarfe, haɗin haɗin gwiwa sun haɗa da legato (mai santsi, haɗe), staccato (gajere, rabu), marcato (da aka jaddada, cire), tenuto (da aka riƙe da cikakken darajar), da kuma haɗuwa da yawa. Matsayin harshe da saurin iska dole ne su daidaita da tasirin da ake so.

Aikin motsa jiki: Zaɓi ɗan gajeren sashi tare da haɗin haɗin gwiwa. Yi aiki akan bakin kawai, mai da hankali kan bayyanar harshe da ci gaba da iska. Sa'an nan kuma kunna kayan aiki, da farko a rabin saurin, yana wuce gona da iri. Sannu a hankali ƙara saurin yayin kiyaye bambanci. Don sassan da ke buƙatar legato, yi aiki ba tare da harshe ba (amfani da syllables hee ko ah) don tabbatar da cewa slide ko fasaha ta bawul ta kasance mai santsi.

Vibrato: Ƙara Ƙarfin da Ƙarfin

Vibrato a kan ƙananan kayan aiki na tagulla wani ƙididdigar ƙididdigar ƙarar da ƙarfin. Ya kamata a yi amfani da shi da ƙwarewa, musamman a kan sautin sauti, ɓangarorin lyrical, da kuma lokacin da salon mawaki ya ba da izini. Alal misali, jinkirin, fadi vibrato ya dace da abubuwan da suka faru a zamanin Romantic (misali Wagner, Strauss), yayin da sauri, ƙanƙanta vibrato ke aiki don tsoffin salon gargajiya (misali Mozart, Beethoven). Ka guji vibrato a cikin sauri, ɓangarorin rhythmic ko lokacin wasa da sashin tutti don kula da tsabta da haɗuwa.

Aikin motsa jiki: Fara ta hanyar kunna dogon sautin a cikin matsakaiciyar rijista. Ba tare da vibrato ba, kafa sauti mai ƙarfi, mai tallafi. Sannan gabatar da santsi, jinkirin vibrato ta hanyar girgiza jaws ko amfani da bugun jini na diaphragm (kamar yadda aka fi so). Yi aiki a 50 bpm, bugun jini 2 sake zagayowar a kowane bugun jini, sannan 3, sannan 4. Sannu a hankali sarrafa nisa da sauri. Saurari rikodin manyan masu wasa na ƙaramin lasifika (misali, John Rojak, Michael Lindak) don haɓaka salon vibrato mai dacewa.

Yin Fassara: Rashin Rayuwa a Cikin Fassarar Kiɗa

Fassara ya ƙunshi rukuni na bayanan a cikin ƙungiyoyi masu ma'ana, kamar yadda ake yin la'akari da jumla. Kyakkyawan magana yana tsara motsi, maganganu, da lokaci don nuna mahimman matakai, ƙirƙirar shugabanci, da warware tashin hankali. A cikin ɓangarori, gano babban maɓallin magana (ƙarshe) da ƙananan maɓallin magana (saki). Shirya numfashin ku daidai da haka a farkon aikinku don kauce wa gudu daga iska a saman crescendo.

Aikin motsa jiki: Ɗauki sashi na kalmomi biyu daga wani sashi. Rubuta a cikin tsari mai mahimmanci wanda ya tashi zuwa tsakiyar kuma ya faɗi. Yi waƙa da jumla da farko don haɓaka ƙirar. Yi wasa da shi, mai da hankali kan ci gaba da iska ta hanyar jumla. Guji yanke layin a layin sanduna. Yi amfani da metronome don kiyaye lokaci, amma bari ƙaramin rubato a ƙarshen jumla idan ya haɓaka ƙirar kiɗa (una la'akari da bugun mai jagora).

Launi: Fata na Mai Fitar da Futoci

Launi mai launi (timbre) yana nufin ingancin sauti mai haske, duhu, mai laushi, mai ƙyalli, da dai sauransu. Masu kunna ƙananan ƙarfe na iya daidaita launi ta hanyar siffar buhun, girman buɗewa, tashin hankali na lebe, da saurin iska. Sautin duhu yana aiki da kyau don ɓarna ko manyan wuraren kida (misali, tuba a cikin Symphony No. 7 na Bruckner), yayin da haske, mafi haske sautin ya yanke ta cikin sautin, ɓarna (misali, Stravinsky's Rite of Spring (FLT: 0))

Aikin motsa jiki: Play a ci gaba da sautin a cikin wani dadi da karfin. Ka yi tunanin launuka daban-daban: dark chocolate, silver glow, velvet. Gyara bakinka (tunanin oh zuwa ee siffar murya) da kuma ƙarancin ƙarancin. Saurari canje-canje a cikin jeri na jeri. Yi aiki da motsawa tsakanin waɗannan launuka a cikin jumla guda. Har ila yau, gwada tare da wurare daban-daban na bakin don nemo kewayon sautin da ke ci gaba da jituwa.

Hanyar Aiki da Aka Yi Don Yin Magana

Yin amfani da fasahar magana a cikin shirye-shiryenku yana bukatar tsarin tsari. Hanyar da ke gaba ta gina iko mataki-mataki, ta tabbatar da cewa kiɗa ya zama atomatik ko da a ƙarƙashin matsin sauraro.

Mataki na 1: Nazarin Sakamakon

Kafin ka yi wasa, ka yi nazarin cikakken waƙar mawaƙa ko wani sashi mai alama. Ka gano rawar kayan aikin: Shin yana ba da goyon bayan layin bass, wani ƙaramin waƙa, solo, ko kuma sautin sautin rhythmic? Ka lura da duk abubuwan da ke da ƙarfi, magana, da kuma sautin sautin. Ka lura da rubutun mawaƙa Shin ɓangarenku ya ninka tare da wayoyi, iska mai katako, ko bugun jini? Wannan mahallin yana shafar launi da sautinku da haskakawa. Hakanan, bincika mawallafin da lokacin don sanar da zaɓin salon (misali Baroque vs. Romantic vibrato).

Mataki na 2: Ka Saurari Sauraro da Yawa

Ka saurari wasu sautin da manyan mawaƙa da kuma masu sana'a da suka yi na wannan sautin suka yi aƙalla sau uku. Ka lura da yadda masu yin sautin da aka yi wa suna suke yin amfani da sautin da aka yi da kuma yadda ake yin magana da shi. Ka rubuta abin da ka ga ya yi kyau da kuma abin da za ka iya yi a wata hanya dabam. Ka guji yin kwafin sautin da aka yi kawai; maimakon haka, ka bar waɗannan sautin su yi wa kanka ja-gora wajen yanke shawara game da kiɗa.

Mataki na 3: Ka ware Fassara da Layer

Yi aiki a kan rubutun a cikin kalmomi biyu ko hudu. Da farko, mayar da hankali ne kawai akan sautin da sautin a cikin jinkirin gudu. Sa'an nan kuma ƙara wani abu mai bayyanawa a lokaci: motsi, sa'an nan kuma magana, sa'an nan kuma vibrato, da dai sauransu. Wannan hanyar da aka yi ta hanyar hana wucewa da kuma gina daidaito. Da zarar kowane ɓangare ya ji na halitta, haɗa su a cikin jumla.

Mataki na 4: Ka Yi Hanyar Yin Magana da Ƙarfi

Yi aiki a 50-60% na saurin da aka yi niyya, yana wuce gona da iri. Misali, sa piano FLT:0 ya zama mai laushi sosai kuma FLT:2 ya kasance mai ƙarfi sosai; sa staccato ya zama gajere sosai kuma legato ya zama mai santsi sosai. Wannan yana horar da kwakwalwarka da tsokoki don yin aiki da niyyar bayyana. Yi amfani da metronome don kiyaye daidaiton sautin yayin da kake jujjuya motsin rai da haɗin gwiwa.

Mataki na 5: Ka Yi Rikodi Kuma Ka Yi Nazarin Kai

Ka rubuta karatunka a kowane mako. Ka saurari abin da kake faɗa da kyau, ka yi tambaya: Shin furcin yana ƙarfafa kiɗa? Shin vibrato yana da iko? Shin ƙarfin hali yana da kyau? Shin kalmomi suna da tsari? Ka gano fannoni biyu da za ka iya inganta a kowane mako.

Mataki na 6: Ƙara Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙ

Kafin ka iya kunna rubutun a hankali, ka ƙara saurin. Yi amfani da metronome don ƙara 5-10 bpm a kowane zaman, ka duba ko abubuwan da ke nuna magana ba su ragu ba. Idan sun yi, ka sauke saurin. Ka yi nufin cikakken saurin tare da sarrafawa na kiɗa.

Mataki na 7: Ka nemi ra'ayin ƙwararrun masu sana'a

Ka gabatar da rubutun ka ga malami, kocin, ko kuma wani masanin kida mai kwarewa. Ka nemi su yi sharhi game da furcinka kamar yadda kake da daidaito. Ka kasance a buɗe ga shawarwari kuma ka yarda ka daidaita fassararka. Wani lokaci kunne na waje zai iya gano halaye kamar tsoho mai ƙarfi ko vibrato wanda ba za ka iya jin kanka ba.

Ƙalubalen da Suka Shafi Kuma Yadda Za a Warware Su

Ko da masu wasan ƙwallon ƙafa da suka ƙware suna fuskantar matsaloli sa'ad da suke ƙoƙarin yin wasa da kyau.

Rashin ƙarfi: Rashin ƙarfi a Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙ

Yin wasa a hankali sau da yawa yakan haifar da siriri, sauti mai iska, yayin da mai ƙarfi sosai zai iya zama mai ƙarfin hali ko ɓarna.

Tsananin: Ba a Yi Saurin Bayyanawa a Cikin Saurin Bayani

Lokacin da saurin ya karu, magana na iya zama mai laushi ko mai nauyi a harshe. Magani: FLT:1 Ka ware tsarin magana. Yi motsa jiki na harshe guda ɗaya da harshe biyu (misali, ta-ka,da-ga) a kan saurin guda a cikin saurin daban-daban. Sa'an nan kuma kayi amfani da magana daidai ga rubutun, farawa a hankali kuma ta amfani da metronome. Tabbatar da iska ta kasance mai daidaito koda lokacin da harshe ke motsawa da sauri.

Tashin hankali: Vibrato

A vibrato wanda yake da yawa ko jinkirin zai iya zama mai son soyayya. Magani: FLT:1 Yi vibrato a kan metronome a 60 bpm, farawa da 2 bugun jini a kowane bugun jini. Sannu a hankali ƙara zuwa 4 bugun jini a kowane bugun jini yayin da yake kiyaye saurin daidaito. Yi amfani da mai saiti don tabbatar da cibiyar bugun jini ta kasance mai karko. Hakanan, yi amfani da kunna vibrato da kashewa a cikin jumla guda don haɓaka iko.

Tashin hankali: Rashin numfashi da ke shafan magana

Gudun iska kafin ƙarshen jimla, ko shan numfashi wanda ya katse layin kiɗa, yana lalata magana.

Yin amfani da Magana ga Ƙungiyar Ƙungiya

A ƙasa akwai wasu misalai na yadda za a haɗa da fasahar bayyanawa a cikin rubutun da aka yi da ƙaramin ƙarfe.

Bass Trombone: Mahler Symphony No. 2 (Finale)

Wannan rubutun yana buƙatar mai arziki, duhu sautin tare da ƙarfin crescendos. Fara a kan wani FLT:0 piano ko mezzo-piano mai motsi, yana riƙe da murya mai rufewa. Yi amfani da jinkirin, fadi vibrato a kan ƙididdigar kwata-kwata don ƙara nauyi. Yayin da layin ke hawa, a hankali buɗe sauti kuma ƙara ƙarfin motsi, amma kauce wa wani mummunan FLT:4]]fortress gefen.

Tuba: Symphony na Brahms No. 2 (Tuba Solo a cikin IV)

The tuba solo a Brahmss Second ne mai lyrical gem. mayar da hankali a kan wani dumi, zagaye sautin da m vibratowatakila wani m bugun jini a kan tsawo sautin. Dynamics kamata tsaya a kan alama FLT:0 piano da kuma FLT:2]]mezzo-piano, tare da m kumbura don nuna melodic contour. Articulations ne legato amma tare da wani fili gaba. Shafin kowane biyu-bar jumla don ƙirƙirar wani m arch. numfashi ne mai mahimmanci a nan: alama numfashin da suka fada a karshen jumla ko bayan hutawa, ba karya dogon layi. sauraron rikodi da tubists kamar John Manning ga tunani.

Bass Trombone: Stravinsky, The Rite of Spring (Bikin Bauta)

Wannan rubutun yana da halayyar motsawa mai saurin sauti da kuma sautin kaifi. Yi amfani da haske, launi mai sautin ƙarfe don nunawa, amma kiyaye shi a sarrafa shi. Ya kamata a takaice kuma a yi alama, tare da harshe mai kyau da saurin sakin iska. Dynamics alternate tsakanin sautin FLT:0 don sautin FLT: 1 da sautin piano: 3 suna wuce gona da iri. Guji vibrato a nan; tsabta da daidaito na sautin suna da mahimmanci. Yi aiki tare da metronome a ƙirar ƙirar ƙira = 80 bpm, tabbatar da kowane sautin Rikodi daidai ya buga sautin. kuma bincika cewa sautin ba ya haifar da yaduwar sautin.

Yin Wasa Mai Kyau a Saitunan Ji

A cikin sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron sauraron saur

Tip: Kafin fara wani sashi, ɗauki lokaci don ganin waƙar kamar yadda kake so ta sauti. Ji da madaidaicin madauki, vibrato, da launi na sautin. Wannan atisayen tunani yana ƙarfafa niyyar ka. Har ila yau, ka tuna cewa kwamiti yana sauraron kiɗa a cikin dukan sashi, ba kawai sassan da ke da ƙalubale ba. Sashin piano mai kyau na FLT:3 zai iya zama mafi tunawa fiye da gudu mara aibi na FLT:4:5.

Ƙarshen

Fasaha mai bayyanawa ita ce gada tsakanin ƙwarewar fasaha da fasaha ta gaskiya a cikin wasa mai ƙarancin ƙarfe. Ta hanyar yin aiki da gangan game da motsi, magana, rawar jiki, magana, da launi na sautin, kuna canza ɓangarorin ƙungiyar mawaƙa daga motsa jiki na inji zuwa wasan kwaikwayo mai ban sha'awa. Hanyoyin da aka tsara a nanda'a'idar tsari, nazarin waƙa, sauraro, da daidaitaccen kimanta kaiza su taimaka muku wajen haɓaka waɗannan ƙwarewar don su zama yanayi na biyu. Yayin da kuke ci gaba da girma, koyaushe ku koma ga asalin motsin zuciyar kiɗa. Bari ƙarancin muryar ku na mawaƙa ya raira waƙa, ya yi ruri, ya yi murmushi, ya tashi. Ko kuna shirya don sauraro, kide-kide, ko kuma ci gaban mutum, ikon bayyana ma'anar ku ta hanyar kayan aikin ku zai bayyana nasarar ku a matsayin mawaƙa na mawaƙa. rungumi tafiya, kuma bari ku lura da kowane labari.