Fahimtar Magana da Fassara a Cikin Fassarar Ƙananan Ƙarfin

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Ƙarƙashin ƙira yana ƙayyade yadda kowane sauti ya fara, ya ci gaba, kuma ya ƙare. Don ƙananan kayan kida na ƙaramin ƙarfe, euphonium, da tubaarticulation haɗuwa ne da mashin harshe, makamashi na numfashi, da fasaha ta musamman. Fahimtar waɗannan abubuwan yana ba ka damar samar da jerin ƙirar da ke bauta wa kiɗa maimakon yaƙi da shi.

Tsarin Tsarin Hadin Kan

Harshe yana aiki azaman bawul wanda ke sakin kuma ya dakatar da iska. A cikin ƙananan rawa, harshen yana buga rufin bakin a bayan hakora (ƙwallon alveolar) ko tsakanin hakora, gwargwadon sautin da ake so. Harshi "kuma" yana haifar da harbi na yau da kullun, yayin da "doo" ke haifar da farawa mai laushi, kuma "tah" yana haifar da ƙirar ƙira. Harshi "dah" sau da yawa yana haifar da harin legato, yayin da "tih" ko "dih" na iya haifar da ƙirar ƙira a cikin saurin sauri.

Saurin iska da ƙarar iska suna tasiri kai tsaye kan bayyanar magana. Saurin iska yana tallafawa farawa mai haske da ƙarewa mai haske, yayin da iska mai rauni ke haifar da hare-hare masu laushi da ƙarancin ƙarar ƙira. Hadin gwiwar tsakanin saurin harshe, nauyin harshe, da matsin numfashi yana ƙayyade ko ƙarar sauti ta zagaye ko mai kaifi, mai taurin kai ko mai laushi.

Sahihiyar matsayi na slide akan trombone ko lokacin bawul akan euphonium da tuba kuma yana shafar magana. Saurin motsa jiki, madaidaiciyar motsa jiki tare da sakin harshe mai tsabta yana haifar da bayyanannen sautin. jinkirin motsa jiki ko bawul mara kyau na iya haifar da slur inda babu wanda aka yi niyya, ko maɓallan da ba a so inda ba su dace ba.

Nau'in Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin

Bayan ma'anar ma'anar, kowane nau'in haɗin gwiwa yana buƙatar daidaitawa na zahiri na musamman:

Legato (FLT: 0) yana amfani da layin "doo" mai sauƙi tare da iyakantaccen katsewar harshe. Ya kamata iska ta kasance mai daidaituwa tsakanin sautunan. A kan trombone, kunna legato yana buƙatar motsi mai santsi wanda aka daidaita tare da sakin harshe don kauce wa tasirin portamento. A kan bawuloli, harshe yana karya iska ta iska ba tare da dakatar da shi gaba ɗaya ba.
Staccato [1] ya bukaci saurin "kuma" ko "tah" da kuma yanke iska nan take bayan kowane sautin. Harshe ya dakatar da iska, kuma sautin ya yi kira na ɗan lokaci kafin ya daina. Sautin sautin ya kamata ya kasance rabin zuwa kashi uku cikin huɗu na ƙimar da aka rubuta, dangane da sautin da salo. Kalubale shine kiyaye iska ta tallafawa koda lokacin da kuka gajarta sautin; 'yan wasa galibi suna taƙaita wuya ko ɗaga kafadu yayin kunna sautin sautin, wanda ke rage ingancin sauti.
Marcato [1] ya haɗu da kai hari tare da rabuwa. Yi amfani da rubutun "tah" mai ƙarfi tare da ƙarfin iska, sannan ku saki bayanin kula da wuri.
Tenuto ya kira ga cikakken bayanin kula tare da dan kadan girmamawa. Harshi "doh" ko "tah" tare da iska mai dorewa a duk lokacin bayanin kula yana haifar da sakamako mai kyau. Alamar Tenuto sau da yawa ta bayyana a cikin rubutun lyrical wanda ke buƙatar shugabanci ba tare da nauyi ba.
FlT: 0] Fitar da murya yana buƙatar canza sautin ba tare da sake haɗuwa ba. A kan kayan aikin slide, slurs suna buƙatar daidaitaccen lokacin slide don haka sautin ya canza daidai a lokacin da ya dace. A kan bawul, motsi mai santsi na yatsunsu da iska mai ɗorewa suna haifar da tsabta. A lokuta biyu, kurkukun da ƙofar dole ne su kasance a buɗe kuma su shakata.
Alamar ">" a sama da bayanin kula a cikin wani sashi na waƙa na iya nufin jaddadawa mai laushi, yayin da a cikin wani sashi na wasan kwaikwayo yana nufin kaifi, kaifin kai. Fahimtar mahallin kiɗa yana da mahimmanci don amfani da matakin da ya dace na jaddadawa.

Kowane nau'in magana za a iya canzawa ta hanyar matakin motsi. A forte staccato yana buƙatar ƙarin iska da harshe mai ƙarfi fiye da piano staccato. Hakazalika, piano legato yana buƙatar harshen mai laushi da iska mai laushi fiye da forte legato. Yin aiki da magana a duk matakan motsi yana haɓaka sassauci da iko.

Yin Magana a Cikin Ƙaramin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙarfin Ƙ

Fassara yana canza jerin bayanan a cikin wani bayani na kiɗa mai ma'ana. Ga masu kunna ƙananan ƙarfe a cikin saitunan mawaƙa, fassara ya ƙunshi sarrafa numfashi, motsi, canje-canje a cikin magana, da lokaci don ƙirƙirar daidaito a cikin matakan da yawa. Sashin ƙarfe mai ƙarancin ƙarfe sau da yawa yana ba da tushe mai jituwa, kwanciyar hankali mai saurin jiwuwa, da launi, don haka zaɓin fassara yana shafar sauti na duka ƙungiyar.

Tsarin Fasali

A cikin wani nau'i na kiɗa, ana iya amfani da ƙamus don yin amfani da ƙamus mai ƙira. A cikin wannan ƙamus, masu kunna ƙananan ƙarfe dole ne su tsara tsawon kowane ƙamus, ƙararsa, da ƙarfinsa don ƙirƙirar gudana ta halitta.

Girman da saki suna da mahimmanci ga magana. Crescendos suna haifar da tashin hankali, yayin da decrescendos ke sakin shi. Canje-canjen jituwa kuma suna haifar da tashin hankali: sautin da ba su da jituwa da jituwa mai tushe galibi suna buƙatar ƙarin nauyi ko turawa mai laushi, yayin da sautin jituwa zai iya shakatawa. Masu wasan ƙarancin ƙarfe waɗanda suka fahimci aikin jituwa na iya yanke shawara mai hankali a cikin sassan ƙungiyar mawaƙa.

Hema da Fassara

Hashi ne mai amfani don yin magana. Kayan aiki na ƙaramin ƙarfe suna cin iska mai yawa, saboda haka numfashi mai mahimmanci yana da mahimmanci.

A lokacin motsa jiki, alamar tana numfashi a cikin ɓangarenku. Nuna inda zaku numfashi, kuma ku tsaya ga waɗancan wuraren yayin wasan kwaikwayon. Guji numfashi a tsakiyar madaurin magana na halitta sai dai idan kiɗa ya buƙaci hakan.
Yi amfani da numfashi mai raguwa a cikin wasa. Lokacin wasa a cikin ƙananan sassan ƙarfe, daidaita tare da abokan aiki don kada layin ya karya gaba ɗaya. Mai kunnawa ɗaya yana numfashi yayin da wasu ke riƙewa, yana riƙe da zaren kiɗa.
Yi aiki da numfashi a ƙarshen jimloli maimakon a tsakiyar jimloli. Idan jimla ta yi tsawo, bincika wuraren hutu na ma'ana a cikin rubutun kiɗa, kamar bayan fermata, kadance, ko hutu.
]Kamar yadda ƙarfin numfashi yake da halayen magana. ] Wani magana mai ƙarfin hali, mai ƙyama yana buƙatar saurin numfashi, cikakke, yayin da layin laushi, mai laushi yana amfana daga jinkirin numfashi, zurfi. Ingancin numfashin ku yana tasiri ingancin sautin ku daga farkon sautin.

Halin da Za a Yi A Cikin Kalmomi

Dynamics a cikin rubutun kida ba sa da wuya a tsaya. Ko da a cikin alamar motsi guda ɗaya kamar mf, siffar ciki tana haifar da sha'awa.

Flt:0: 1 yana da tsawo a kan matakan da suka gina zuwa ƙaruwar. Waɗannan suna buƙatar hankali don haɓaka yana da daidaito maimakon hanzari. Ajiye sautinku mafi ƙarfi don ƙaruwar, ba ma'aunin farko na crescendo ba.
Dinamatik na subito (canje-canje na kwatsam) yana buƙatar daidaitawa nan take. Bayan piano na subito, kiyaye ƙarfin motsa jiki yayin riƙe da ƙarfin da motsi na gaba.
FLT:0 (sfp) Alamar FLT:1 tana buƙatar kai hari mai ƙarfi sannan a sauke shi nan da nan zuwa taushi. Wannan abu ne na yau da kullun a rubuce-rubucen mawaƙa don sakamako mai ban mamaki. Saurin sakin iska bayan hari da kwanciyar hankali na taimako don cimma saurin saurin saurin saurin.
Diminuendo al niente (fading to nothing) a ƙarshen magana yana ƙalubalanci masu kunna ƙaramin ƙarfe don kula da ingancin sautin a ƙananan ƙarar. Yi aiki don kiyaye sautin da sautin da ke da ƙarfi yayin rage ƙarar zuwa ƙaramin murmushi.

Sauraro da Hadawa a Sashen

Dole ne a daidaita kalmomin ƙaramin ƙarfe tare da ƙungiyar. Sassan tuba da trombone galibi suna raba kayan jituwa tare da sauran sassan ƙananan kirtani, ƙaho, har ma da timpani.

]Hanyar layin bass. Bi saurin baka da nauyin ƙananan kirtani, kuma daidaita motsin ku da na su.
Harkokin bugun jini. Timpani da maganganun bass drum sau da yawa suna ƙarfafa ƙananan sautin ƙarfe.
]Hanyar jagora. ] Ka lura da sandar jagora don alamun magana. Girman da saurin tsarin bugun jagora yana nuna siffar magana da ake so.
Nazarin rikodi. [ Saurari rikodin ƙwararru tare da ƙididdiga kuma lura da yadda ƙananan ɓangaren ƙarfe ke furta mahimman wurare. Kwatanta rikodin daban-daban ta ƙungiyoyi daban-daban don ganin yadda furcin zai iya bambanta yayin da yake kasancewa mai inganci.

Ƙwarewar Ƙwarewa a Yin Magana da Kuma Yin Magana

Developing refined control requires deliberate practice strategies beyond basic warm-ups. The following techniques build the specific skills needed for demanding orchestral excerpts.

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FLT:0]Hanyar motsa jiki ta hanyar yin amfani da harshen: Yi amfani da sikelin da arpeggios ta amfani da metronome, farawa a kwata-kwata = 60 tare da sautin goma sha shida. Ƙara saurin sautin da sautin biyu a minti ɗaya kawai lokacin da duk sautin ya kasance mai tsabta. Mai da hankali kan tuntuɓar ƙarshen harshe da saurin iska, ba kawai saurin harshe ba.
Hanyar magana ta biyu (ta-ka-ta-ka): Yana da mahimmanci don saurin wucewa. Yi aiki da rubutun "ka" daban. Yawancin 'yan wasa suna da rauni "ka" kai hari. Keɓe shi ta hanyar yin sikeli ta amfani da "ka" kawai har sai sauti ya dace da "ta" a cikin tsabta da daidaito.
Triple-tonguing (ta-ta-ka ko ta-ka-ta): Yana da amfani ga siffofin triplete da kuma sautin haɗuwa. Yi aiki da kowane tsari a hankali, sannan a hankali ƙara saurin yayin da ake kiyaye daidaitattun wurare tsakanin sautin uku.
Aikin haɗin gwiwa: Play a sikelin tare da nau'ikan haɗin gwiwa daban-daban: duk legato, duk staccato, biyu legato-biyu staccato, daya staccato-biyu legato, da dai sauransu Wannan yana gina ikon canza nau'ikan haɗin kai kai tsaye a cikin hanyar.
Aikin magana a matakai daban-daban: Yi aiki da kowane nau'in magana a pp, p, mp, mf, f, da ff. Kula da tsabta a ƙananan girma da kuma sarrafawa a manyan girma. Wannan ya shafi kai tsaye ga rubutun ƙungiyar mawaƙa waɗanda ke buƙatar takamaiman magana a takamaiman matakan motsi.

Hanyar Yin Aiki da Fassara

Fasahar dogon sauti: Ci gaba da sautin guda ɗaya kuma tsara shi ta hanyar canje-canje masu ƙarficrescendo daga pp zuwa ff da baya, ƙirƙirar kumbura (p-f-p), ko amfani da canjin motsi na kwatsam a takamaiman lokaci. Wannan yana haɓaka iko akan numfashi da ƙuƙwalwar ƙuƙwalwar don tsara tsawan jimloli.
Taswirar kalmomi: Ɗauki ɗan gajeren sashi (4-8 matakan) kuma ku sanya alama a saman kowane jumla. Yi aiki da yawa a cikin siffar farko, sannan ku daidaita zuwa matakin halitta. Wannan yana taimakawa wajen haɓaka tsarin jumla.
Fassarar numfashi kawai: Play wani jumla ta amfani da iska kawai da sauya slide / bawul, ba tare da magana da harshe ba. Wannan ya bayyana ko numfashin ku yana tallafawa siffar jumla ko kuma idan kun dogara da harshe don ma'anar.
Rikodi da bincike: Rikodi kanka ka kunna wani sashi, sannan ka saurara kuma ka lura inda furcin ya zama ba na halitta ba ko kuma bayanin ba shi da kyau. Kwatanta rikodin ka da rikodin tunani na mai kunnawa.
Fassara ba tare da kayan aiki ba: Ka rera kalmar tare da ingantaccen motsi da magana yayin gudanarwa. Wannan yana kawar da ƙalubalen kayan aiki na fasaha kuma yana mai da hankali kan niyyar kiɗa kawai.

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Ko da masu wasa da ƙarancin ƙarfe masu ƙwarewa suna fuskantar ƙalubale na musamman sa'ad da suke yin waƙar mawaƙa.

Ƙalubalen Ƙulla Ƙari

Flattaccen harshe a cikin matakai masu laushi: Yawancin 'yan wasa suna amfani da harshe da yawa lokacin kunna piano. Wannan yana haifar da kai hari wanda ke jan hankalin da ba a so. Yi amfani da sauƙi mai sauƙi ("doo" ko "dih") kuma rage matsin harshe akan rufin bakinka.
] Tsawon staccato mara daidaituwa: ] Sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin sautin
A kan flt: 1, slurs na iya zama glisandi idan slide ya yi tafiya a hankali. Yi amfani da slurs ta hanyar mai da hankali kan saurin iska yayin motsi na slide, ba motsi na slide kanta ba. A kan bawul, tabbatar da yatsunsu da harshe suna daidaitawa daidai don haka babu sautunan waje da suka bayyana tsakanin sautunan.
Fiye da haɗin gwiwa a cikin saurin wucewa: Saurin harshe na iya haifar da tashin hankali a cikin wuya da bakin. Kure daga nauyin harshe kuma bari iska ta yi aiki sosai. Yi tunani "dih" maimakon "tih" a cikin saurin wucewa don kula da shakatawa.
Bayyana alamar magana: 'Yan wasa wani lokacin suna kunna duk bayanan daidai ba tare da la'akari da alamomi ba. Alamar magana ta kewaye a cikin ɓangarenku kuma kuyi aiki da kowane sashe gwargwadon takamaiman buƙatun sa. Wannan hankali ga daki-daki ya bambanta masu neman sauraro.

Yadda Za a Yi Magana da Ƙalubalen

Lokacin da 'yan wasa suka kai ga babban matsayi na jimla, galibi suna hanzarta saurin. Yi amfani da metronome don tabbatar da kwanciyar hankali na saurin yayin crescendos da lokutan motsin rai.
Fitar da ƙarshen magana: [1] Farkon bayanin magana na ƙarshe sau da yawa yana rasa ingancin sautin da sautin sautin. Yi aiki don riƙe bayanin kula na ƙarshe a cikin cikakkiyar darajarsa, sannan a saki shi da kyau. Ƙarshen ƙarfi yana ƙarfafa dukan jumla.
Matsayi na numfashi mara daidaituwa: Canja wurin numfashi tsakanin motsa jiki da aiki yana lalata magana.
Yin amfani da kalmomin da aka yi amfani da su a cikin ƙungiyar mawaƙa zai iya haifar da yin magana da ke aiki a cikin ɓoye amma ba a cikin ƙungiyar mawaƙa ba. Da zarar kun san rubutun, yi aiki tare da rikodin ko danna waƙa wanda ya haɗa da mahallin ƙungiyar.
Fassarar inji da kiɗa: Playing all phrases with the same shapealways crescendo to the highest noteya zama mai yiwuwa. Bari kiɗa ta jagorantar da kalmominku: wasu phrases sun kai ga farfajiyar wuri, wasu kuma a baya, wasu kuma suna da ƙwanƙolin ƙwanƙolin. Yi nazarin sautin jituwa da yanayin waƙa don nemo siffar musamman ta kowane jumla.

Yin amfani da Magana da Magana ga Bayanai na Musamman

Ƙarin bincike da ke gaba ya nuna yadda ake amfani da ra'ayoyin magana da furci ga sanannun rubutun ƙaramin mawaƙa. Yi nazarin waɗannan misalai tare da ƙididdiga da rikodi don fahimtar cikakken aikin.

Wagner ta Das Rheingold (Tuba)

A cikin tuba na buɗe ƙananan E-flat pedal yana buƙatar sarrafawa da daidaitaccen magana a kan tsawan matakan. Yi amfani da mummunan "doo" don fara bayanin ba tare da ƙwanƙwasa ba. Yi amfani da kalmar taƙaice ta hanyar haɓaka ta hanyar sanduna da yawa na farko, sannan a ɗan ragu kaɗan kafin shigarwa ta gaba. Kula da numfashi yana da mahimmanci: tsara numfashi a ƙarshen sassan da suka fi tsayi maimakon a tsakiyar. Dole ne haɗin ya kasance mai tsabta amma ba mai tsanani ba.

Brahms' Symphony No. 1 (Trombone)

Harshen harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na harshe na har

Mussorgsky-Ravel's Hotuna a cikin Nunin ] (Tuba)

"Bydlo" motsi yana da tuba solo wanda dole ne a yi wasa da duhu, rufe sautin da kuma hankali phrasing. Yi amfani da marcato magana ga farko da bayanin kula don kafa nauyi, lumbering hali. The magana siffar bi da melodic contour: crescendo kamar yadda layin tashi, decrescendo kamar yadda ya fadi. The "Promenade" theme daga baya a saitin na bukatar wani daraja, raira waƙa style da tenuto alamomin ba nauyi ga kowane bayanin kula.

Berlioz's Symphonie Fantastique (Fantasy Symphony) (Trombone / Euphonium)

"Dies Irae" ta wucewa a cikin motsi na biyar yana buƙatar ƙirar marcato mai ƙarfi. Kowane bayanin kula ya kamata a raba shi da sarari, amma iska dole ne ta kasance mai ƙarfi don yin tunani ta hanyar ƙungiyar mawaƙa. Yi amfani da rubutun "tah" tare da harshe mai nauyi da iska mai sauri. Fassara yana bin ƙungiyoyin halitta na waƙar waƙa, tare da kowane jumla da ta ƙare ɗan gajeren lokaci fiye da yadda aka rubuta don ƙirƙirar ciwo, tasirin satirical Berlioz ya nufa. Sashin ƙaramin ƙarfe ya kamata ya dace da magana da kuma yanayin motsi daidai don mafi girman tasiri.

Respighi's Pines na Roma (Trombone/Tuba)

The offstage trombone solos a "Pines of the Janiculum" na buƙatar magana mai laushi sosai tare da inganci mai nisa. Yi amfani da mafi ƙarancin "doo" kai hari, kusan ba a iya ganewa ba. Dole ne furcin ya zama mai sauƙi da sassauƙa, tare da rubato mai laushi don kwaikwayon sautin magana na halitta. Alamar da ke da ƙarfi suna da taushi sosai (ppp zuwa pp), suna buƙatar kulawa mai ban mamaki da numfashi da kuma mai da hankali, ƙaramin sauti wanda har yanzu yana ɗaukar sautin. A cikin motsi na ƙarshe, "Pines of the Appian Way", ƙananan ƙarfe yana amfani da ƙirar ƙirar ƙira mai ƙarfi tare da mahimman ma'ana da ƙarfi mai ƙarfi a cikin dogon crescendos. Kowane bayanin kula ya kamata ya ji kamar mataki a cikin tafiya mara iyaka.

Yin amfani da Magana da Magana a Rayuwa ta Yau da kullum

Don ka fahimci waɗannan darussan, ka haɗa aikin magana da yin magana cikin rayuwarka ta yau da kullum.

Misali na Zamani

Warm-up (10 min): Sautunan dogon da ke da motsi mai ƙarfi. Fara a pp, crescendo zuwa ff a cikin ƙidaya takwas, sannan decrescendo zuwa pp a cikin ƙidaya takwas. Maimaita a matakan sautin daban-daban a cikin zangon kayan aiki.
Aikin motsa jiki na yau da kullun (minti 15): Yi aiki guda ɗaya, biyu, da kuma sau uku a kan sikelin a saurin lokaci daban-daban. Mai da hankali kan daidaito da tsabta. Sa'an nan kuma yi aiki da haɗin haɗin gwiwa (legato-staccato, da sauransu) a kan sikelin guda.
Aikin yin magana (minti 15): Zaɓi wani rubutun waka da kuma yin amfani da kalmomin.
Aikin rubutu (10 min): Play da rubutun tare da rikodin da dukan orchestra. daidaita your magana da phrasing to match da ensemble sauti. Maimaita tare da daban-daban rikodi don jin daban-daban fassara hanyoyin.
Cool-down (10 min): Slow, lyrical playing mai mayar da hankali kan legato magana da santsi phrases. Wannan yana ƙarfafa haɗin tsakanin numfashi da phrasing ba tare da tashin hankali ba.

Kula da Ci gaban

Ka rubuta abin da ka lura da shi a cikin littafin da za ka rubuta takamaiman maƙasudai da kuma yadda za ka furta kalmomi. Ka rubuta waɗannan kalmomi a kowane sashe: "Ka yi amfani da harshenka a furcin da kake buɗewa" ko kuma "Ka rubuta kalmomi a mataki na 12, ba a mataki na 10 ba".

Har ila yau, albarkatun waje na iya taimakawa wajen gina fahimta. Labarin Orchestral Library yana ba da bayanai da mahallin. Kayan aikin metronome na kan layi na FLT:3 suna taimakawa tare da daidaito mai saurin aiki a cikin aikin magana. Blog ɗin Malamin Orchestra na FLT:5 yana ba da ilimin ilimin ilimin ilimin ilimin lissafi game da wasa da tagulla.

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